A Study Of Photographic Creation From The Perspective Of Deconstruction

Deconstructivism,as a representative philosophical idea in the 20 th century,has become an important philosophical idea of modern art because of its emphasis on multi-view and multi-dimensional expression.Moreover,due to the methodology of deconstruction-reconstruction derived from it,it has been involved in the process of concept expression and concept bearing of modern art.This paper uses deconstruction concept and methodology to study the expression dimension and concept bearing dimension of deconstruction photography.The paper is divided into four parts.The first part describes the current situation,achievements and existing problems in the application of deconstruction concept to various fields of artistic creation.The second part elaborates the relevant concepts in this paper and forms the support and cognition of the ideological level.The third part analyzes the relationship between the trend of deconstruction and the photographic language.Starting from the theoretical background of the emergence of the deconstruction concept,it discusses the extension and extension of the deconstruction concept on the technical and aesthetic aspects of the photographic language.The fourth part explores the specific use context of deconstruction methods,such as disassembly and reconstruction,juxtaposition and reconstruction,meaningful form reconstruction and collage reconstruction,and the specific conceptual expression dimensions that can be presented by these methods through the five groups of works created by me.