| As the most local content of a region,regional culture contains the experience and wisdom of human life and shows the characteristics of local culture.The writing of regional culture in literary works is not only the aesthetic construction of literary regionality and authenticity,but also has the cultural value of exploring local culture,analyzing the present and enlightening the future.As a native writer in Sichuan society,Li Jieren’s representative work "trilogy" takes Sichuan around the end of Qing Dynasty and the beginning of the Republic of China as the background,artistically and aesthetically observes and constructs Sichuan regional culture,showing important aesthetic and cultural values.At present,although there is a considerable degree of research and Discussion on the regional culture in Li Jieren’s "trilogy",most of them present fragmentation analysis,and the research on the regional culture writing in the "trilogy" is not systematic and in-depth.Based on this,this paper takes the writing of regional culture in "trilogy" as the research object,in order to realize the systematic and in-depth study of the writing of regional culture in "trilogy".The research perspective of regional culture not only helps to achieve a solid and powerful in-depth interpretation of the "trilogy",but also is an important way to understand the social culture of Bashu,which has important practical significance to enlighten the current and future social and cultural development of Sichuan.This paper mainly adopts the methods of literature research and text close reading.On this basis,it uses the theories of Anthropology and folklore to achieve a comprehensive and in-depth interpretation of the regional culture writing in the "trilogy" from four aspects: the writing of regional culture,writing strategies,reasons and values.The introduction part mainly combs the overall research situation of Li Jieren and his representative work "trilogy" and the current research situation of "trilogy" from the perspective of regional culture,and points out the innovation of this paper by analyzing the advantages and disadvantages of the current academic research on "trilogy",This paper will take the regional culture writing in the trilogy as the research object,and further interpret the aesthetic and cultural value of the regional culture writing in the trilogy.The first chapter analyzes the presentation of regional culture in the trilogy.As the logical starting point of the full text,this part focuses on the analysis of the specific presentation of the unique Sichuan local events,the people’s feelings and living experience,and the folk culture under the evolution of the times in the "trilogy",trying to combine the theory of folklore anthropology and the related works with the creation practice of regional culture in the "trilogy",This paper comprehensively and deeply explores the construction and Revelation of "trilogy" for the regional cultural system and unique spiritual characteristics of Sichuan society in the late Qing Dynasty and the early Republic of China.The second chapter explains the presentation strategy of regional culture in the trilogy.First of all,the flexible narrative perspective makes the regional culture narration in the trilogy comprehensive and profound with the integration of macro bird’s-eye view and micro perspective.Secondly,the "deep description" method of local chronicles makes the "trilogy" focus on the specific local world of Sichuan.Through the panoramic deep description under the changes of the times,the detailed description of the small to see the big and the repeated rhetoric of similarities and differences,it makes an in-depth artistic interpretation of the local society of Sichuan in the late Qing Dynasty and the early Republic of China.Thirdly,the rich and diverse language expression makes the different regional cultures of the trilogy present accurately and artistically,and meets the readers’ cognitive and aesthetic needs.The third chapter interprets the writing reasons of regional culture in the trilogy.It can be divided into three perspectives: first,Li Jieren’s regional experience is discussed.His profound and rich local experience provides sufficient material for the writing of regional culture in the trilogy,while the new culture movement and the ideological enlightenment of modern French culture make Li Jieren infuse more profound and rational local thinking into the regional culture of Sichuan society.The second is to analyze Li Jieren’s creative ideas and artistic personality.In the process of absorbing and integrating Bashu local chronicle consciousness and French realistic literature,Li Jieren formed such creative ideas as writing history,seeking truth and pragmatism,and "idealistic realism",which made the "trilogy" radiate the artistic color of the truth of Shu;However,Li Jieren’s provincial identity at the edge of Gansu made him regard Bashu society as his soul dwelling place and write the regional spirit of Bashu with his artistic personality far away from the mainstream.The third is to study Li Jieren’s unique aesthetic taste.Li Jieren combined the style of Chinese ancient popular literature with French realistic literature,forming a unique realistic literary creation mode,which provides beneficial artistic experience for the writing of regional culture in the trilogy.The fourth chapter explains the value of regional culture in the trilogy.It can be divided into two aspects: one is to analyze the aesthetic value of regional culture in the trilogy,pointing out that the writing of regional culture in the trilogy is the aesthetic construction of regionality and authenticity in the novel.The second is to interpret the cultural value of regional culture in the trilogy.The writing of regional culture in the trilogy not only preserves the folk customs of Bashu before and after the late Qing Dynasty and the early Republic of China,but also provides a precious "folk culture map" of Old Chengdu,which has important research value of culture,folklore and history,Moreover,the reflection and analysis of Bashu cultural resources and spiritual core in the local writing of "trilogy" is conducive to the construction and development of Sichuan social culture.The conclusion summarizes and sublimates the thesis,and further explains the unique significance and writing value of regional culture in the trilogy.At the same time,this paper points out the shortcomings and omissions in the study of "trilogy" from the perspective of regional culture,trying to provide a reference for future research. |
