Performance Analysis Of Neruda’s Trumpet Concerto In E Flat Major

"Trumpet Concerto in E flat major" is one of the most important works of John Baptist Neruda.It is known as one of the "three Concertos" of trumpet in the classical period,and it is also the first one to be created among the three works.In this paper,breath,vomit,rhythm,decorative sound as the main research content,to play version comparison and their own performance experience combined method,for Neruda "Trumpet Concerto in E flat major" performance skills are studied.The results are as followsFirst,in this work,we need to master the breath flexibly,so that we can have enough breath support when playing strong or weak stress and interval jump.Second,it is very important to master and distinguish the different playing methods of enunciation,and to ensure the flexibility of the tongue when playing the broken tone.Thirdly,the stress of syncopation rhythm type and punctuation rhythm type should be shifted back,and the average time value of playing triplet should be strict,so as to restore the work to the greatest extent.Fourth,the decorative notes should be dealt with according to the requirements of the classical period,the dependent notes should occupy the time value of the main note,and the vibrato should be played downward from the upper second adjacent note of the main note according to the tonality.It is hoped that the research results of this paper will be helpful to the study and performance of Trumpet Concerto in E flat major,and to the understanding and performance of classical works.