On The Spatial Expression Language Of Jiangnan’s Mood In The Creation Of Oil Landscape Painting

Chinese and Western oil paintings have experienced many collisions in the course of their respective development,and eventually resonated,forming a fusion of Chinese and Western art.The most representative of the Chinese and Western arts is the use of Western oil painting methods and techniques.Jiangnan scenery with Chinese aesthetic representation.Jiangnan landscape oil paintings have absorbed the essence of Chinese traditional culture in terms of space language and blended the unique regional cultural characteristics of Jiangnan.Through the subjective “intention” and the creation of objective “images”,they have formed a combination of Eastern traditional meaning and The unique look of Western expressions.Under the influence of many cultural factors in China and the West,the spatial expression of Jiangnan landscape oil paintings is not limited to the realistic representation of objective image spaces,but also gradually shows various spatial expression forms such as expressiveness,imagery,and flatness.This article is based on the concept and theory of Chinese and Western painting space,through a thorough and comprehensive analysis of the relevant works of representative artists in Jiangnan,combined with the spatial expression of traditional Chinese painting and the unique regional cultural characteristics of Jiangnan,it is systematically sorted out.The causes and constituent elements of the artistic conception space of Jiangnan oil paintings are then used in their own creations,at the same time injecting subjective emotions,finding space constituents and expressions suitable for their own creations,and expressing Jiangnan’s uniqueness based on their own imagination and thinking Mood space.The first chapter of this article discusses the meaning and definition of oil painting space language.By comparing natural space and oil painting space and comparing the consciousness of Jiangnan oil painting and western oil painting space,the similarities and differences are analyzed to define Jiangnan oil painting space language more precisely.The second chapter classifies the spatial language of Jiangnan oil paintings,and combines the works of related artists to have a deeper understanding and interpretation of different spatial types.The third chapter summarizes the reasons for the formation of Jiangnan artistic conception space language features through two main aspects of traditional Chinese painting space expression and Jiangnan regional cultural characteristics.Chapter 4 starts from the four main components of Jiangnan oil painting space language and makes a comprehensive discussion in combination with my own creation,so as to gain a deeper understanding and recognition of Jiangnan space language in practice.