"A Cage Is Looking For A Bird"-on Kafka’s Paradoxization

In the history of literature,there are always many writers with different styles.In the accumulation of time,some of these writers will be gradually forgotten,gradually withdraw from people’s vision,annihilation in the long river of time;And some writers,their names,like the shining stars in the night sky,will be remembered forever.The author to be studied in this paper is Kafka,who is well known to people.There are so many studies on Kafka.What makes people so passionate about Kafka? Below,the author tries to use his own research to uncover the mysterious veil on Kafka’s head.On Kafka’s research,the predecessors dabble in it from different angles,especially from the Angle of absurdity.This paper is devoted to elaborating Kafka’s aesthetic principles of absurdity on the basis of previous studies on absurdity.In this thesis,the author is divided into five chapters to discuss Kafka’s paradoxical aesthetic principles.The first chapter is a review,from the overall domestic and foreign research on Kafka and his paradoxization to do a general overview,clear recent years on Kafka and his paradoxization of the research context.The second chapter focuses on the meaning and characteristics of absurdity,and the distinction between absurdity,grotesque,comedy and other concepts.For example,the difference between absurdity and grotesqueness is that absurdity and grotesqueness are often the negation of a concrete phenomenon by a rational person,whereas absurdity is a neutral,rationally based knowledge of things.The second section of this chapter is to turn absurdity into a kind of aesthetic principle to carry on the concrete development,and elaborate in detail how the absurdity rises to a kind of aesthetic principle and what kind of aesthetic principle it is.In Kafka’s creation,paradoxization not only forms an aesthetic experience,but also becomes an independent aesthetic style,and then becomes a principle to examine similar texts.The third chapter specifically introduces the paradoxical aesthetic principles contained in Kafka’s works from three aspects: loneliness and noise coexist,fetters in freedom and reality wrapped under the illusion cloak.In the narration,the author combines Kafka’s life works,such as The Castle,Metamorphosis,Silence of Sirens,Hungry Artist,Josephine or Rat Race,etc.,to deeply analyze how Kafka embodied the noisy atmosphere in his description of loneliness.When he describes freedom,what fetters he embodies in it;How the unreal is embodied in the process of describing the real.The fourth chapter focuses on kafka distort the aesthetic principles of origin,from the "environment" and the dual effects of "environment"(complicated,turbulent social environment and the suffocating,patriarchal family small environment),the world of love infection and influence,the elusive distort the mental(desire to be accepted,and in constant escape and is not only the helplessness of the weak,And a strong resistance),and the existence and influence of the "three Jewish factors"(including the Jewish nation,the Jewish religion,and the Jewish culture),such as the unique sensitivity and suffering consciousness in Judaism and Jewish culture caused by the ill-fated Jews.The fifth chapter mainly discusses the value and influence of Kafka’s paradoxical aesthetic principle,such as its unique aesthetic experience and aesthetic style,as well as its influence on the creation of similar texts.In addition,but also in recognition of Nietzsche and kierkegaard,the impact of worldwide(impact on the rest of the country and to our country the influence of)as well as the life of the veil,touches the soul of the strange these three aspects carries on the analysis and interpretation,makes every effort to about the aesthetic principles of kafka has a deep understanding.