| With the rapid development of China’s industrialization,the extensive commercial symbols and cascading high-rise buildings filled China’s major cities,people walk in the crowded streets every day.Today’s human thinking and anxiety of the urgent problem is how to reduce the negative impact of industrialization and science and technology on people’s lives,and how to make people in the fast-paced life of the city can find a piece of spiritual still earth,in the urban space filled with reinforced cement for people to create a natural harmony of spiritual home is one of the urgent problems facing modern urban development.The aesthetics of "the mood" is the core of Chinese traditional aesthetic culture and the core category of Chinese aesthetics,which contains the aesthetic ideal of ancient literati for nature and coincides with the pursuit of modern people’s life culture.Therefore,how to study the application of "idea" aesthetics in contemporary environmental pottery design is an inexhaustible source of inspiration for the development of environmental pottery design.The research content of this paper is divided into four parts: the first part is the preliminary basic research,through in-depth analysis of the Chinese traditional aesthetic culture in the expression and pursuit of "the mood",extract the essence of the Chinese traditional "mood" aesthetic thought,and analyze its essential connotation and expression.The second part is to analyze the development characteristics and current situation of contemporary Chinese environmental pottery,combined with practical cases,to analyze the contemporary environmental pottery design in the development process of problems.The third part is the discussion of the relationship between the two,the relationship between the historical predecessor of the root-traced environment pottery and the aesthetics of the mood,through the case analysis of the influence and type performance of traditional mood aesthetics on contemporary environmental pottery,to find out the relationship between environmental pottery and the aesthetics of the mood,thinking about the possibility of combining the development of the two.The fourth part is to integrate the first three parts,summarize the application principles and methods of mood aesthetics in contemporary environmental pottery design,and summarize the value of three mood aesthetics embodied in environmental pottery design.Finally,the feasibility of the theory is demonstrated by designing practical activities.The paper draws three conclusions after five chapters of research and analysis.First,take a series of aesthetic features of mood aesthetics as the aesthetic standard of environmental pottery creation,and find the design concept of environmental pottery which is more in line with the public aesthetic.Second,the dialectical relationship between man,work and nature is organic whole and interdependent,mutually exclusive and harmonious.Third,the philosophy of "the unity of heaven and man" in the traditional "aesthetics of mood" can guide the design concept of modern environmental pottery based on personality and concept,which helps our environmental pottery design theory to add new blood,so that our environmental pottery more diversified,more cultural atmosphere. |
