A Study On The Singing Practice And Character Image-building Of The Opera Aria "Forever In The Mood Of Love"

Beginning with the children’s song and dance drama created by Li Jinhui in the 1920 s,the Chinese national opera has made great contributions to the development of the Chinese national opera,inspiring the writers and artists to combine different musical types on the basis of inheriting the tradition,keep innovating.Since the 1990 s,people’s aesthetic trend of diversification,the national opera "wild fire fighting spring wind ancient city" is made in this period.The Aria "forever in the Mood for love" selected from the Chinese national opera "wild fire fighting in the spring wind ancient city" is the female protagonist "gold ring" before the sacrifice of an inner monologue.Taking the opportunity of celebrating the 60 th anniversary of the victory of the Second Sino-Japanese War,the General Administration Opera Troupe staged this modern national opera in the capital,"wild fire fighting in spring wind and ancient city",which was written by Meng Bing,composed by Zhang Zhuoya and Wang Zuling,and lyrics by Wang Xiaoling,they have made great contributions to the development of Chinese National Opera by making bold innovations in musical structure and character design.Through reading and sorting out the relevant literature about the singing analysis of Aria "forever in a mood for Love",the author interprets the creative background of Aria "forever in a mood for love",to understand the charm and research value of Chinese National Opera from the lyrics and melody of Aria.Starting from the practice of singing,based on enunciation,the use of breath and the expression of emotion,the emphasis is on the performance of body movements on the stage,sum Up the experience in practice,in order to improve their understanding of the Chinese national opera and Aria singing ability.