| Daily objects,which are often very common,can be seen in our everyday life.While people usually pass them by or put them on the edge of vision,and they will not be regarded as visual subjects with artistic values.In this paper,three photographers and their series of works are sorted out,including Urformen der Kunst written by Karl Blossfeldt,Paul Strand’s The Garden at Orgeval and Richard Nicholson and his work No Ideas but in Things.Their artistic experiences,shooting styles,technique and ideas are analyzed.The similarities and differences of the three photographers are summarized to get an insight into their creative ideas.The authors study the microscopic perspective is according to the micro and macro scene scene,by the naked eye can be observed directly.Such as common or neglected in daily life scenes,some small things or details.It is not through professional equipment can only be seen by the small things,but the creator’s choice of the subject in cognitive perspective.The purpose of studying the micro perspective is to excavate the neglected details and bring the visual experience different from the macro world.Ordinary things are endowed with visual tension and imagination space through the microscopic perspective,which goes beyond their daily functions.The microscopic perspective are explored from aesthetics,strange sense and details.The paper summarizes the influences of the three photographers on my creative style and idea.At the same time,by combining with my own shooting style and thinking mode,I can broaden my creative thinking mode,think about the world in a new way,and cultivate my visual curiosity.Finally,I divide daily scenery into two series for shooting,namely: daily scenery and ecological vegetation.Through the cognition of the microscopic perspective of everyday objects,it expresses my shooting style under the influence of the three photographers’ creative methods,as well as my cognition and feeling. |