The Morphological Evolution Of Flower And Bird Images And The Characteristics Of Early Chinese Flower And Bird Paintings

The changing forms of Chinese flower and bird images constitute an important element in the development of Chinese flower and bird paintings.Any artistic image cannot be separated from the content and form,which must be the organic unity of the two.It is impossible to move people to work that satisfies the vision only by lines and colors.No matter in content or form,the modeling evolution of flowers and birds is not only a simple imitation or reproduction,but also a blend of the creative subject and even the thoughts and emotions of the subjects of appreciation.Undoubtedly,this special spiritual production and reflection shape the typical with immortal vitality all the time.Like other arts,the origin of Chinese paintings is close to human origins and synchronous development pattern of the original painting of flowers and birds in the bud is ultimately due to the practice of human activities,especially the dominant aesthetic and material production practice,such as the prehistoric birds and flowers on the painted pottery grain appearance form of beauty is a product of free initiative,flower and-bird painting from the symbolization of from the most primitive human experience constantly make new discussion and explanation of nature and life.Flower and-bird painting from mature to the prosperity and development,constantly perfect modelling,from form to explore to the inner emotional expression,the discourse of Chinese flower-and-bird paintings have been did not stop there,but in the past research,flowers and birds image morphological evolution and the characteristics of the early Chinese flower-andbird paintings research did not involve too much,this for our thought in different periods from the perspective of image study the expression of flower on the evolution of the style and its implication,provides the research of space.This paper starts from the painted pottery patterns in prehistoric times and studies the evolution of flower and bird images in the Qin and Han Dynasties.Guided by the artistic aesthetics of different periods,it attempts to comb and analyze the evolution characteristics of Chinese flower and bird paintings.This paper USES the combination of internal external method and comparative analysis,the typical works in different periods of time as the breakthrough point,in combination with the social and cultural background of the period and conceptualobject characteristics,through the flowers and birds in the form of image traced back,clarify and evolution of the image and the relationship between the early flower and-bird painting characteristics and the influence from the Angle of the image study explore the subtle changes in the painting of flowers and modelling during the period of relationship,are further analyzed summarized,further verify the morphological evolution and the early flower and-bird painting flowers and birds image characteristics of a great deal.