A Study On The Spatial Narration Of Criminal Films In China’s Mainland In The New Century

Since the new century,crime films from Chinese mainland have begun to emerge in the film industry.With the joint efforts of many film creators and researchers,crime films from Chinese mainland in the new century have become more and more popular among the audience,and also have greatly improved audience’s artistic value and commercial value.In terms of film studies,Chinese crime films also provide a good theoretical research sample for the majority of scholars.However,at present,the narrate latitude in the current only convert "time".They discussed its type elements,narrative elements,future development strategies and trends,but ignored the research on its films’ spatial narrative.However,crime films are inherently characterized by spatial narrative in real life.Therefore,this paper is aimed to find the connection between crime films from Chinese mainland and spatial narration.It will be proved that study the spatial narration of crime films in Chinese mainland in the new century has both theoretical value and practical significance.Therefore,this paper takes the crime films from China’s mainland in the new century as the research object,and discusses their problems from the perspective of spatial narration.At the same time,this paper is committed to exploring the form characteristics and functions of crime films from China’s mainland in spatial narration.This paper is divided into six parts: the introduction makes a general introduction to the topic from the four aspects of the background and significance of the topic,research status,research objects and methods,and the definition of the concept of Chinese crime film,which makes the research valuable,the research principle clear,the research method appropriate,and the film text accurate.The first chapter is space narrative definition.From a theoretical point of view,this paper respectively explains the concepts of film space,film narrative,film narrative space and film space narrative,clarifies the definition of narrative space and space narrative,and summarizes the relationship between them.Chapter two is the spatial features of the narration of crime films from Chinese mainland in the new century.This chapter mainly summarizes the spatial particularity of Chinese mainland’s crime films in narration from the aspects of scene elements,modeling elements and psychological elements,and then this chapter selects representative film texts for case analysis.Chapter three is space narration and the story of crime films in China’s mainland in the new century.This chapter expounds the important role of space narration in crime films from Chinese mainland in the new century from the perspectives of space carrying and defining the film stories.Chapter four is space narration and the style of crime films in China’s mainland in the new century.By summarizing the different spatial narrative styles of crime films from Chinese mainland in the new century,this paper expounds the different styles of documentary and expression formed by the spatial narrative.The last is conclusion part.The author propose expectation in development of space narration of Chinese mainland crime films in the new century...