Research On The Shuli Theme Of The Poetry In Eariy Years Of The Qing Dynasty

The creation of Shu Li theme poetry is an essential part of the literature in the early Qing Dynasty.The social aesthetic and psychological experience attached to the fading of things give birth to the cultural tradition that scholar would mourn for the past.Literati in all dynasties combined the perceptual experience of observing and the rational thought of impermanence to show their worry about the rise and decline of the society,representing their historical responsibility and the sense of mission.This paper takes the theme of Shu-Li in Suzhou Fu poetry in the early Qing Dynasty as the research object.It intends to explore the emotional connotation,cultural implication,theme change and influence of Shu Li theme at that time.The specific content is mainly divided into the following four chapters:The first chapter is the generative context and compilation of the theme of Shu-Li in the early Qing Dynasty.The southern Ming regime only appered in Jiangnan,Zhejiang,Fujian,Guangxi and Taiwan after the foundation of the Qing dynasty.Endless changes of the regime,the continuous war,thw struggle against the aggression and the self-awareless poet’s "history of poetry",had all promoted the development of the theme of "Shu-Li".Under this context,this paper takes Qian Qianyi,Wu Weiye and Gu Yanwu as cases and the documents of Suzhou fu to study the main works of Shu Li at that time,attemping to summarize the development of the theme of Shu-Li in Suzhou fu during the early Qing dynasty.The second chapter summarizes the types of subjects of the theme creation of millet and discusses the survival choices of three types of poets.The characteristics of the theme creation of the millet were summarized from the three perspectives of group,inheritance,and gender writing.t The literary creation of scholars was observed from the following three perspectives:association style,family culture,and female literature.The third chapter is the creation of the theme of Shu-Li in the early Qing Dynasty,Suzhou.Mainly from two aspects of emotional connotation and aesthetic characteristics.The main emotions that the theme of Shu-Li want to convey is the sigh for the infinite change of the universe,the grief for the subjugation of the dynasty and the sorrow for the loss of the value of the personal.On this basis,this paper summarizes the creation characteristics of Shu-Li’s theme poetry in the early Qing Dynasty at the emotional level,content level,and formation level.Finally,this paper analyzes the sub-image archetypes such as "robbing ashes" and "falling flowers" developed by theme of Shu-Li creation in the early Qing Dynasty,as well as the special time-space symbols and cultural symbols closely related to the background of the era.The fourth chapter is the cultural implication of the theme of Shu-Li in early Qing dynasty.The theme of Shu-Li contains complex emotion and cultural content.In order to explore the rich inner theology of this theme and its special presentation in the Ming and Qing Dynasties,this paper explores its historical consciousness and worldly feelings,identity and the debate between China and foreign countries,realistic trend of thought and tragic consciousness.