Study On The Graphology Of Yves Klein’s Paintings

This paper presents the The concept of writability is the meta language of Chinese calligraphy,which is the deep understanding and understanding of the noumenon langua ge of pen and ink.Pay attention to the writing behavior itself and the inner spirit of the f ormal language.The exploration of formal language in Westem modem painting and the noumenon language of" writing in Chinese calligraphy correspond and relate to each o ther.With the aid of Yves Klein’s artistic language this paper traces the inner spirit of lve s Cline’s painting from the ideological level.The Writing of Yves: Klein’s Artistic Lang uage under the Influence of Westem Historical Background and Japanese Zen Thought "structure Into Secondly,from the behavioral process of movement,analysis of Klein’s ar tistic language manifestation Again,from the presentation of artistic language,explore"The elements of thought and action(time,space,happenstance and field)implied by writi ng are used and presented in Yves Klein’s paintings.Finally,the paper discusses the infl uence of the meaning of"writing in Yves: Klein’s painting on the western painting conce pt and on my own creation.Exploring the representation of writing in Westem painting and performance art has become a cross cultural artistic practice.The study of writing should be examined and r edefined from the present perspective while continuing the inner spirit of traditional cult ure.The traditional Chinese painting still has the vitality of the art form language and in ner spirit to make a contemporary transformation,from which to establish the contempo rary subjectivity of oriental art.