A Study On The Image Of Characters In Yin Xiangdong’s Novels From The Perspective Of Literary Geography

Yin Xiangdong,a writer of Kangba,was born and raised in Kangding,with a mother of Muya Tibetan and a father of Han .Although Yin did not speak Tibetan and did not speak Tibetan,he was influenced by Tibetan customs and habits in his life and had the typical value of observing the integration of ethnic images.He began to publish articles in 1995,using novels as carriers to create unique Han and Tibetan images from the grassland and Kangding space to highlight the cultural characteristics of Kangba Tibetan area."Wei Tibetan Law Area,Andoma Area,Kangba People Area" [Zhi Guanba ·Gonggehu Danba Waoji.History of politics and religion in Anduo [M].Translated by Wu Jun et al.,Lanzhou: Gansu People’s Publishing House,1989:5.],Kangba Tibetan Area is "the frontier of the mainland" and "the interior of the frontier",with geographical environment of high mountains and valleys and relatively difficult living conditions.Situated in a place where many ethnic groups mingle and interact with each other,the Kangba people are significantly different from the two Tibetan areas of Weizang and Amdo.Starting from the grasslands and Kangding,this paper uses literary geography and imagology to analyze how Tibetans and Han people in Yin Xiangdong’s novels look at each other at the beginning of their interaction,and after the cultural collision,and how the authors of the two cultures describe these characters.This thesis consists of five parts: preface,three chapters and conclusion.The preface mainly introduces the significance and background of the topic,sorts out the research status of literary geography,imagology and Yin Xiangdong’s novels at home and abroad,and expounds the research methods and innovation points of this paper.The first chapter discusses and analyzes the images of Tibetan and Han in Yin Xiangdong’s novel,which takes the grassland as the narrative space.The second chapter discusses and analyzes the Tibetan and Han images in the real space--Kangding as the narrative space.The third chapter explores the formation mechanism of Tibetan and Han images in Yin Xiangdong’s novels from the perspective of Yin Xiangdong’s growing environment and identity characteristics,and further analyzes its literary,anthropological and practical significance.In conclusion,the main content of the whole paper is summarized and summarized.Based on text analysis and author interview,this paper argues that the creation of these images is closely related to the author’s growth in the geographical space of Kangding,as a "hybrid" of the Han and Muya Tibetans,and has considerable literary,anthropological and practical significance.