| Xinjiang has a vast territory,diverse landforms and unique natural scenes,which have attracted many painters to come to Xinjiang for sketching.They have studied and explored the unique local conditions and customs of Xinjiang with the language of painting,and created numerous Chinese landscape paintings depicting the Tianshan Mountains in Xinjiang.My "vast Tianshan" series of landscape painting creation,is to Xinjiang Tianshan scene as the theme of Chinese painting creation.When painting the scenery of Tianshan Mountain in Xinjiang,I was influenced by the light and shadow of western paintings and the composition of the scenery.Therefore,I had some limitations in the composition of Chinese landscape paintings,so I needed to make bold attempts and innovations.How to absorb the elements of western landscape composition while maintaining the elegant style of Chinese painting is the key to my thesis of the series of "vast Tianshan Mountains".Firstly,through the analysis of the works of the representative painters of Xinjiang langscape painting,the series of landscape paintings of the vast Tianshan Mountains is to learn and use for reference from the contemporary landscape paintings of the Tianshan Mountains,so as to deepen my understanding and perception of the landscape paintings of Xinjiang Tianshan Mountains.Secondly,through the accumulation of materials from sketching practice,the regional characteristics of Xinjiang Tianshan Mountains are combined with traditional landscape painting techniques,and the composition adopts the panoramic composition form of mountains and rivers.The use of light stone blue,stone green pigments for color,to show the fresh and elegant picture,forming a new Xinjiang Tianshan regional painting form.This paper is divided into five parts around the creation process of the painting series Cangmantianshan.The first part is the introduction;The second part is the contemporary Xinjiang Tianshan theme landscape painter’s works analysis;The third part is the focus of this paper.It elaborates the creative research process of "Cangmantianshan" series of landscape paintings,respectively from the creative ideas and material accumulation,composition,ink and color and artistic conception of the creative practice;The fourth part is the introduction of the work;The fifth part is the deficiency and thinking in the creation. |
