Research On The Application Of Yangjiabu Woodcut New Year Pictures In Public Art Design

Yangjiabu woodcut New Year picture is the representative label of Weifang city culture,which is listed as intangible cultural heritage.As one of the three major woodcut New Year pictures in China,Yangjiabu woodcut New Year pictures have a history of more than 600 years.Under the historical and cultural precipitation of more than 100 years,they are rooted in the folk and have strong regional cultural characteristics and rich theme forms.At the same time,with the development of the times,the society has constantly given new artistic connotation to Yangjiabu woodcut New Year pictures.It can be said that Yangjiabu woodcut New Year pictures are the concentrated display of Weifang's history,culture and folk customs.With the development of economy and the upgrading of national consumption,the domestic public art design has also developed rapidly in recent years,and the public demand for public art works is also increasing.Public art is open,it faces the public and emphasizes the public's appreciation and participation.However,compared with the rapid development of domestic economy,the development of domestic public art design has a certain lag.More and more stereotyped public art works are full of the environment,and the gap between public art design and national aesthetic demand is gradually emerging.How to combine public art works with local culture has become the focus of the current urban public art development An important thought.This paper takes Yangjiabu woodcut New Year pictures and public art design as the research object,through a comparative study of the development history of Yangjiabu woodcut New Year pictures and public art,the artistic elements and creative forms of Yangjiabu woodcut New Year pictures,investigates the application of artistic elements of Yangjiabu woodcut New Year pictures in Weifang public art design,and puts forward the combination of Yangjiabu woodcut New Year pictures and public art design Use your point of view.The research of this paper mainly includes the following aspectsFirst,through the collection of the relevant literature of Yangjiabu woodcut New Year pictures,this paper makes a multi-dimensional material arrangement of the development history of Yangjiabu woodcut New Year pictures and its current application in design;compares the development history of public art at home and abroad,and summarizes its concept characteristics and development trend.Secondly,this paper summarizes the artistic characteristics of Yangjiabu woodcut New Year pictures from the aspects of content,theme,color application,composition characteristics,and analyzes the current development constraints combined with the development history of Yangjiabu woodcut New Year pictures;summarizes the concept,types and forms of public art,and summarizes the current problems of domestic public art.Thirdly,this paper investigates and summarizes the application of Yangjiabu woodcut New Year pictures in public art design by combining with examples,analyzes the existing problems,and summarizes the feasibility of Yangjiabu woodcut New Year pictures in public art design through comparative study of examples,and summarizes its application methods.Fourth,this paper summarizes the principles and Strategies of Yangjiabu woodcut New Year pictures in public art design.Combined with the local and public characteristics of public art and the artistic elements of Yangjiabu woodcut New Year pictures,the paper analyzes the design.Finally,through the public art design practice of the New Year picture bus station,the theory of this paper is applied in practice.The combination of Yangjiabu woodcut New Year pictures and public art design is not only the inheritance and protection of traditional Yangjiabu woodcut New Year pictures,but also the multi angle broadening of public art design ideas.It is hoped that the combination of the two can make the traditional Yangjiabu woodcut New Year pictures radiate new vitality,and also make the city's public art works no longer dull and disjointed.