The "blank" of Chinese painting has a profound philosophical background and is closely related to the "virtual and real","with or without" and "black and white" in traditional Chinese art."Blank" in Chinese landscape painting is not only a schematic representation,but also involves aesthetics and philosophy."Blank",as a special form of painting language,affects the artistic conception conveyed by the painting.In addition,"blank" is often changed due to the existence of objects,and the scope of thought involved is very wide,mainly including subconscious thoughts such as emptiness,nothingness,and emptiness.Following the main theme of Chinese landscape painting,"blank" first appeared in the Six Dynasties,Jin and Tang Dynasties,and it was only in the middle and late Northern Song Dynasty that landscape paintings were truly endowed with connotation.The article first starts from the traditional Chinese philosophy and culture,using the yin and yang theory of "Zhouyi" and "building images to fulfill meaning";Laozi’s "no matter" and Zhuangzi’s "empty and quiet" thoughts;Zen’s "view of color and space" and "insight" Analyze the philosophical origin behind the origin of "blank" from the perspective of thinking.Again,try to analyze the aesthetic category,and combine the development process of "blank" art in Chinese landscape painting,from the budding of the Jin and Tang dynasties to the appearance of the late Northern Song Dynasty,and finally the process of gradual perfection and prosperity of the landscape in the Yuan,Ming and Qing Dynasties.As for the role of "blank",it combines the works of past dynasties of landscape painters to conduct demonstration and analysis,explore the artistic conception created in the painting,and unfold with the simplicity and hazy,desolate and cold damaged,illusory dream artistic conception.The article is finally implemented in the practice of landscape painting.In the process of creation,I think about how "blank" is combined with practice,and finally draw a conclusion.The meaning of "blank" is of great significance to the improvement of the aesthetic taste of the subject of creation.It can not only add brilliance to the picture in the schema,but also is an indispensable condition for the creation of the subject’s soul and emptiness,and has a profound impact on the flow of creative emotional consciousness. |