Research On The Style Of Female Writing In Olga Tokarczuk’s Novels

Olga Tokarczuk is a famous Polish writer.She won the Book Prize in 2018 and just won the Nobel Prize in literature in 2019,establishing her position in the literary world,known as "a bright new star emerging in Polish literary world ".Her representative works are Bieguni,Dom Dzienny,Dom Nocny,Prawiek I Inne Czasy,E.E.,Jacob and so on.There are various females in her works and these images of women take on the classical living states in Poland in the 20 th century.This paper mainly analyses the space,way and causes of women wandering combined with Olga Tokarczuk’s three novels,namely Prawiek I Inne Czasy,Dom Dzienny,Dom Nocny and Bieguni by reading through the texts and then set forth the styles of female writing in Olga Tokarczuk’s novels.In the Introduction Part,the paper introduces Olga Tokalchuk and her works and collects the achievements already made and the research status of her works from domestic and overseas study and clarify the origin of the research.The second part is made up of four chapters.The first chapter discusses the Origin of Female Writing in Olga Tokarczuk’s novels,mainly from her personal experiences,Polish culture,women’s living states and her unique views on women.The second chapter discusses the living space of women in Olga Tokarczuk’s novels,starting from the magic space of women’s living,then the real one and finally the living space in between reality and illusion.The third chapter discusses the female mental state in Olga Tokarczuk’s novels--wandering lonely,from the way of female wandering,the state of female wandering and the causes of female lonely wandering;The fourth chapter discusses the styles of Olga Tokarczuk’s female writing from the interweaving of circular time and linear time,the combination of magic and reality,the structure of spelling schema.The Conclusion part shows that on the basis of the previous discussion,it illustrates the writer’s helplessness to solve the problem of female loneliness in today’s world.