Panorama And Broken Branches ——Research On The Composition Of Courtyard Flower And Bird Painting In Song Dynasty

Xiehe the Painting theorist,summed up the core of the “Six methods” concept referred to “the operating position” which is the composition of Chinese painting.The composition of a work embodied the painstaking efforts of the artist.It is also expressed the author’s painting theme and artistic treatment.“the operating position” which is trying to deal with the relationships of the “viewfinder layout”,“Opening and closing fluctuation”,“dense gathering and dispersion”and the relationships between the Size height.The composition of the whole work embodies the ingenuity of the Creator and the artistic level and concrete method of expressing the theme intention of the author.The Song Dynasty Painting Art Law Degree is rigorous,the technique is mature,is the painting art glorious remarkable time,this time creates belongs to the Song Dynasty conforms to the time esthetic flower-and-bird painting work,and is accepted as the standard by the posterity.Through research,it seems to found that there are some transforms turn the composition of the Chinese Flower-and-Bird Painting during the Song dynasty.During the middle of the Northern Song Dynasty,one of the main features of the composition was the Panoramic composition had a major status.The broken-branch composition began to sprout in the Tang Dynasty,experienced the underutilized early Song Dynasty and the emergence of the Xuanhe period,and finally came to the full bloom of the Southern Song Painting Academy,and it shows signs of being as good as,or better than,a panoramic composition.This paper probes into the aesthetic characteristics of the two compositions from the aspects of the size of the scale,the amount of the content of the frame and the space layout,and analyzes the reasons for the change of the composition.Analyzing the composition and artistic spirit of two kinds of mainstream flower-and-bird painting in Song Dynasty can improve the understanding of art,and also play an exemplary role in individual painting and artistic creation.The contemporary Chinese painting creation activity should take root in the Chinese traditional culture artistic fertile soil,has the vital instruction significance to our creation practice.