| “Fishery drifters in Shenzhen” generally refers to the migrant fishermen in Shenzhen.It has been divided into two types.The one is the fishermen who rely on manual labor under the employment of the fishing boss;and the other one means individual fishermen who choose to have a startup to “catch” and sell fishes with the traditional technique of catching fish to gain profits.The documentary,Record of Shenzhen Fishermen,makes these two groups the shooting subject to describe the existence of the contemporary “fishery drifters in Shenzhen” with these two groups as a foundation.There should be consideration of the generation of the “fishery drifters in Shenzhen”based on era characteristics and regional and cultural background;and there is an analysis of the image expression and linguistic building of Record of Shenzhen Fishermen from documentary expression and image building.Firstly,In the choice of subject matter,the documentary,Record of Shenzhen Fishermen,finds a new path to seek a different way of “catching fishes”.The creator focuses on the “fishery drifters in Shenzhen” who migrate from other areas to present the unique humanistic feelings under the background of the times and specific regions through describing the bottom characters in the city with the social reality.The paper makes the documentary,Record of Shenzhen Fishermen,as a study demonstration to analyze the text from creative conception,image shaping and value pursuit these three dimensions.Secondly,in the proceeding of characters and plots,it is adopted with the story structure of two lines proceeding;and the two lines would be gathered as a collection point so as to stick to the theme and get emotional sublimation.At the same time,to highlight the creator’s subject consciousness,it is applied with fragmented clips many times since the creator wants to bring a stylized image impact and auditory experience for audiences through the combination of leans to go into their inner hearts.In the end,the creation of documentary films could escape neither the purport of humanistic care nor the true meaning of social value.The Record of Shenzhen Fishermen is to get close to the nature of the nobodies,the “fishery drifters in Shenzhen”,so the creator proceeds it with a “civilization” narration in the creation of documentary and the writing of the paper,aiming at finding out the warmth in the society under the major background and mining the humanistic value in the bottom society.At the same time,the creator also has some value consideration to comply with the “content-dominated” of new media.In the study of paper,the author has discourse expression with a diversified perspective,striving to master the exquisite detail and pursue the pattern of inclusiveness.Hope this paper could provide some new ideas for the documentary scholars when studying the relationship between documentary and regional culture. |