Guo Moruo’s Study Of Stone Drum Writing And Calligraphy Creation During His Travels In Japan

Guo Moruo（1892-1978）,a native of Leshan,Sichuan,with the courtesy name Dingtang,is a literati calligrapher in the history of calligraphy,as well as a paleographer,archaeologist,historian,and writer.The next day,the first time was a government-sponsored study abroad,and the second time was a refuge.It was also the peak period of academic research and knowledge production.This article focuses on the analysis of Guo Moruo’s research on stone drum writing and calligraphy during his stay in Japan,especially the motivation and writing process behind Guo Moruo’s ancient writing research.Reading and translating works to obtain the latest research methods,the research direction caused by the change of ideas and concepts has changed from literature to history,the research object has experienced changes from ancient society and ancient documents to the study of ancient characters,and the situation of obtaining research materials by interacting with Japanese people,and As a literati calligrapher,it analyzes the aesthetic process,ideological concept,source of method and calligraphy creation practice in the process of writing research on calligraphy materials.The introduction part mainly expounds the significance of the topic,the research status and research methods at home and abroad.The first chapter analyzes the background of Guo Moruo’s travel to Japan,the academic environment and his contacts.Under the environment of "translating Japanese books widely and studying abroad" in China,Guo Moruo traveled to Japan,and Japan was in the combination of Japan and the West after the Meiji Restoration.The social background of Guo Moruo,the great archaeological discovery,the enthusiasm for Oriental studies,and the craze for Lan studies,these external environmental factors had a direct impact on Guo Moruo’s ideology and the direction of his academic career.The second chapter expounds the motivation and opportunity of Guo Moruo’s research on Shiguwen,through the analysis of Guo Moruo’s use of personal connections in Japan to carry out research on ancient Chinese society,and later turned into research on ancient Chinese characters.The first-hand materials available at this time and place are the most typical of the three Northern Song rubbings of Shiguwen that were not seen in China at that time,especially the pioneer version of Shiguwen,which was obtained from Tanaka Keitaro and Hejing Quanlu,which was studied by Guo Moruo on Shiguwen necessary condition.The third chapter analyzes the main methods and contents of Guo Moruo’s research on stone drum writing,including historical epigraphy in the Song Dynasty,traditional textual research methods,Wang Guowei’s double evidence method,and art archaeological research methods from the German Mihaili Division.Some of these methods were obtained from Guo Moruo’s elementary school when he was young,and some were acquired through reading and translation after he came to Japan.Guo Moruo’s use of the above methods in his own research on ancient writings shows his research vision of using the ancients for the present and the foreign for the Chinese.This research method,which combines modern science with traditional textual research,has made Guo Moruo’s research on stone drum texts unique and will be a success for the future.People set up research frameworks and paths.The fourth chapter makes a formal analysis of Guo Moruo’s calligraphy works during his stay in Japan,and at the same time traces his research process,based on the study and aesthetic acceptance of Shiguwen and other research objects.The profound education of the family,the style of "I write my own words" reflects the strong flavor of the times.It also reflects Guo Moruo’s process of learning and translating the classics,taking methods from the objects of daily research,copying,translating and breaking through the classics in the form of creation,showing the multi-integration of text,form and emotion in calligraphy..The concluding remarks make a concluding summary of the Japanese opportunities in Guo Moruo’s research on stone drum writing.As a researcher,Guo Moruo’s travel to Japan was the peak of his academic creation;as a calligrapher,Guo Moruo’s calligraphy creations represented by "Wenqiutang Slips" during his travels in Japan were different from the "Guo Style" after the founding of New China.Diversity and clear approach,you can see Guo Moruo’s calligraphy learning process,which is the concentrated expression of Guo Moruo’s early calligraphy works.Traveling to Japan is also a typical period of his calligraphy career.direct impact.