On The Creation Techniques Of The Bamboo Flute Concerto "Sorrow Empty Mountain"

The Bamboo Flute Concerto "Sorrow Empty Mountain" is a concerto for ethnic instruments created by Guo Wenjing for bamboo flute and orchestra.It is a concerto with great conflict and drama.This paper analyzes the creation techniques of this work from four aspects: the construction and development of the theme,the structural characteristics of the musical form,the use of multi-voice techniques and the arrangement methods of national instruments and Western orchestral music,and summarizes the creation characteristics and artistic value of Qiugong Mountain through the analysis of the creation techniques.Because this work is created for the national musical instrument bamboo flute and orchestra,this paper focuses on the integration and development of Chinese folk music culture and western music culture.The introduction section of this article specifically discusses the paper selected topic reason,the bamboo flute concerto of previous research results and discusses the research status,put forward of the orchestra with kanadeai bamboo flute concerto work research significance,through the analysis of the bamboo flute concerto "sorrow empty mountain",and explore the application of the bamboo flute concerto composing techniques and ethnic music creation more likely.In the research method,it specifically reveals how to use two research methods of analysis and induction to study the works of this part.In the first chapter,the author’s background is introduced,and the composition of the bamboo flute concerto with the Western orchestra and the composition of the sorrowful Empty Mountain are described.In the second chapter,it analyzes the construction and development of the theme,the characteristics of musical form structure,and the application of multi-voice techniques.It also analyzes the application of harmonic techniques and polyphonic techniques,and analyzes the methods of national instruments and Western orchestral pairs from two perspectives.Respectively,the combination relationship between bamboo flute and the whole band and the combination relationship between bamboo flute and each musical instrument group.The second chapter focuses on the analysis of creative techniques to conclude the creative ideas and techniques that can be used for reference in concerto writing,and discusses the innovation of musical form structure.Based on the traditional formal structure on the basis of according to the need for change to have played an important role in broadening the idea of his works,the use of harmony technique of our country and the acoustic development play a role in promoting,as well as in orchestration methods embodied meaning and influence,It proves that the traditional Chinese musical instrument bamboo flute,drum and idler can be well combined with western traditional Musical Instruments and has abundant possibilities.For the Chinese traditional musical instrument works to the world has a reference sample.The third chapter,creative characteristics and artistic value,summarizes the analysis of creative techniques by using the research method of induction and summary,and mainly discusses the significance of creative characteristics and artistic value to the inheritance and innovation of folk music and the integration and development between western music.This paper summarizes the characteristics of composition from four aspects: theme construction and development,form structure,multi-voice technique and the arrangement of national instruments and western orchestra.This paper discusses the artistic value of this work from two aspects: the influence of this work on the performance of bamboo flute and the value created by the creation techniques of traditional music.The conclusion part as a summary of the full text summarizes the contribution of the work "Sorrow Empty Mountain" to folk music and the future of folk music caused by the thinking.