Research On The Ritual Dance Of Gannan Droni's "Manla" Festival

"Mania" festival ritual dance is an ancient Tibetan folk dance that uses double-sided sheepskin drums as a prop to worship gods and pray for blessing.The heritage list is mainly distributed in Zangbawa,Taoyan and Berlin in Zhuoni County.Because it is at the intersection of Tibetan and Chinese culture,the festival dance of"Mania" has distinct regional characteristics and profound cultural connotation.In order to deeply show the inherent cultural and artistic expression of the festival dance of"Manra Festival" and to better protect this ethnic treasure,this article will start from the disciplines of cultural anthropology,sociology,ethnology,folklore,etc.The investigation and the collation and analysis of related literature and materials systematically discuss the background,current situation,artistic style,cultural significance,inheritance and reflection of the festival dance of "Manra".The purpose of this article is to explore the ethnic customs and cultures bred on this plateau in Zhuoni County,Gannan Tibetan Autonomous Prefecture.Through the study of the "manla"ritual dance,it will be interpreted in the perspective of cultural symbols,and its cultural connotation will be explored.The original artistic value of folk dance.Provide suggestions for the development and innovation of Chinese traditional folk culture and folk dance,and make some contributions to the inheritance,development,arrangement and protection of Zhuoni's living intangible cultural heritage.This article consists of an introduction,an overview of the festival activities of the"Manra" festival in Zhuoni County,the artistic style of the "Sam" dance in the festival dance of the "Manra" festival,a cultural interpretation of the festival dance in the"Manra" festival in Zhuoni County,and "Manra" The status quo and reflection of the festival sacrificial dance "Sam" dance is composed of five parts.In the introduction of Chapter 1,the author consults a large number of documents,discusses the thesis topic and research significance,analyzes related research trends,and explains the innovation of this topic.The second chapter is an overview of the festival activities of the "Mania" festival in Zhuoni County,mainly introduced and analyzed from three aspects.First,it introduced the background of the "Mania" festival ritual dance in terms of natural geographical environment and social environment;secondly,it described the overview of the "Manla" festival ritual activity in Zhuoni County in detail,divided its broadcasting area in detail,and used fields Investigation methods,observation methods,interview methods and other research methods provide in-depth explanations of their sources.Finally,the basic procedures of the festival dance of "Manla" festival are described in terms of specific performance time,performance content,and performance taboos.The third chapter "Manla" festival ritual dance "Sham" dance art style mainly analyzes three aspects.The first aspect,from the origin of the dance,role allocation,performance mechanism,to the accompaniment style and singing melody,further analysis and introduction of the "manra" festival ritual dance "Sham" dance;the second aspect,focusing on the description of "Sham" "The form and content of the dance performance.In the third aspect,the author makes a general summary analysis of the morphological style and rhythm characteristics of the "Sham" dance using the theoretical perspective of the Chinese folk dance culture tutorial."The fourth chapter is the cultural interpretation of the festival dance of "Manla"festival,mainly from three aspects.The first aspect is mainly to analyze the status of the festival dance in the culture of "Manra" from the perspective of cultural anthropology;the second aspect is the way of salvation from the mode of meaning,the present and the vague,the aesthetic and the human spirit Three angles explain the cultural meaning of the festival dance of the "Manla festival;the third aspect analyzes the cultural value of the festival dance of the "Manrah" festival from two perspectives:aesthetic and social values;The four angles of dance explain its cultural symbols.This chapter categorizes the formal content of the ritual itself from different starting points,and analyzes the profound connotation and deep-seated cultural value of the ritual dance of the "Manra"festival.The fifth chapter "Manla" festival ritual dance "Sam" dance status and reflection,mainly from two aspects of analysis.The first aspect mainly describes the difficulties in the current status of the development of "Sham" dance,the unclear ethnic attributes and the lack of innovation.The second aspect mainly focuses on the creation of dance,intangible cultural heritage and original ecology,Three perspectives on the development of traditional folk dance to the development of folk dance in China.