Research On The Artistic Expression Of "white Space" In Yuan Dynasty Landscape Painting

Chinese landscape painting has a long history,broad and profound.It developed to the Yuan Dynasty and showed a unique style of painting,forming a peak in the history of landscape painting.The landscape painting of the Yuan Dynasty can be described as the essence of history.As an artistic language based on subjective imagination,"leave blank" is very important in the formal expression and artistic conception of Chinese landscape painting.Affected by the social environment and the background of the Yuan Dynasty,literati painters gradually changed their layout and pen and ink styles,using blank spaces to emphasize the "business position",highlighting the spatial relationship between black and white,virtual and solid,density,and light and dark."It embodies the "virtual and real coexistence",so that the spirit and rhyme are connected,and the picture reaches harmony and unity."Blank"has developed from the expression of painting to the implicit expression of ideology.It is extremely tolerant and can vividly show the sense of space and artistic conception of natural mountains and rivers.In the creation of the Yuan Dynasty,painters admired the meaning beyond the image that less wins more.They not only paid attention to the similarity,but also pursued a kind of artistic conception where the brush and ink were not reached,reflecting the indifferent and quiet nature of the natural landscape,and gradually developed into the emphasis on charm and pursuit.The aesthetic concept of interesting and elegant products.The literati landscape paintings of the Yuan dynasty are filled with the idea of "blank" both in the layout of the composition and in the brush and ink technique.The blanks present an artistic conception that is not only remote and clear,empty and quiet,but also light and graceful,refined and transcendent,which makes people feel To the vastness of the world and the vastness of the world.The natural landscapes depicted in the Yuan Dynasty became a concentrated expression of the painter’s personal sense of freedom and expressing his inspiration,expressing the charm of the literati’s inner emotions and personality spirit,and realizing the literati painters’ clarity of mind,depiction of scenery,and sentimentality.The purpose of this is to keep the poetic and pictorial meaning of Yuan Dynasty’s landscape on the paper,but also in the heart.This article starts with the art of "leave blank",analyzes the expression form and aesthetic connotation of "leave blank" in Yuan Dynasty landscape paintings,and embodies the characteristics of "leave blank" in Yuan Dynasty literati landscape paintings through the layout and brushwork technique.Under the influence of Chinese traditional aesthetics and Chinese classical philosophy,it studies the social,ideological,cultural and emotional factors that formed it.On the one hand,the "left blank" of landscape painting was linked with the mood of the literati in the Yuan Dynasty.The painters of the Yuan Dynasty penetrated their personal experience,temperament and emotion in the mountain and forest seclusion,realizing the mutual integration of the "form","god" and "state" of landscape painting;On the other hand,the relationship between Chinese art and traditional thought is treated dialectically,and “blank” is raised from the form of painting to the realm of consciousness,and the artistic spirit and social value contained in it are explored.Finally,on the basis of the "leave blank" of landscape paintings in the Yuan Dynasty,we explored the inheritance of the sentiments of the landscape and the innovative development of modern forms,making the application of "leave blank" in the artistic conception of landscape paintings richer and more profound,showing a unique artistic charm.