| The film parasite won the Palme d'Or Award for best picture and the92 nd Academy Award for best picture in Cannes Film Festival.The social problems reflected in the film have become a hot area of academic attention.The research angle is from the director's style to artistic techniques,from the space construction to visual analysis,from the social perspective to the sad and happy fate of small people.From the research perspective of Feng Junhao's film content and creative techniques,the article is relatively rich,and it is still blank to analyze Feng Junhao's film with Film Ontology psychology.Therefore,this paper will make a specific analysis of Feng Junhao's film from the perspective of Film Ontology psychology,and provide theoretical reference for learners of Film Ontology psychology through the writing of this article.This paper starts from the creative value of tilt screen mechanism in Feng Junhao's movies,and then discusses the social problems and practical significance reflected in Feng Junhao's psychodrama from the dramatic core.Secondly,it discusses the form of the role of the tilt screen mechanism in Feng Junhao's films.Taking the social environment and ecological environment as the scope of discussion,it describes the "monster" and "abnormal" in Feng Junhao's films,so as to lay a theoretical basis and origin for the embodiment of negative psychology in Feng Junhao's films.In the process of film creation,the two-way dimension of the creator and the receiver is reflected in the fact that the creator has created the social and empathic problems in real life for the audience through the process of life experience and artistic creation.It is concluded that the formation of Feng Junhao's film style is composed of the growth environment,personal experience,artistic aesthetics and social problems,which are the key factors in his films From the perspective of marginalized social figures,the social problems in South Korea revealed the darkness in a corner of society. |
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