A Study Of The Female Body In Folk Cultural Performance

Since 1970s,women's body research has been widely discussed by various disciplines.The "good life" put forward in the report of the 19 th National Congress requires a healthy body as a guarantee.Women bear the dual responsibilities of society and family,and health is particularly important.Physical experience refers to the physical phenomena and perceptions that people actively respond to and passively adapt to in a certain stage of their life course,daily life or festivals and ceremonies.It is divided into physiological physical experiences(such as menstruation,childbirth,illness and pain,etc.)and social physical experiences(such as clothing,literature,performances,etc.).Female performers' bodies not only show their self-image in folk culture performances,but also convey the folk culture content implied in performances to the audience,which plays an important role in the inheritance of folk culture.Pay close attention to women's physical experience in folk culture performances,and explore the body discipline behind the body of female performers in folk culture,individual subjective experience and folk culture carried by performing bodies,so as to better promote the inheritance and development of folk culture.The main body of this paper is divided into five chapters.The first chapter mainly introduces the theme and content of Meng Huan Tao Yuan,and analyzes the main ways for female performers to be selected: company recruitment,individual active application;The second chapter comprehensively investigates various physical disciplines of female performers,including self-discipline in daily life,physical discipline in training and dance beauty discipline in performance,etc.and analyzes how to discipline their bodies after entering the performance team to make their bodies tend to be "perfect";The third chapter makes an in-depth study of female performers' body dress,dance movements and lyrics,and analyzes the cultural symbols and cultural significance carried by female performers' bodies under specific cultural background;The fourth chapter mainly analyzes how female performers recognize folk culture in performance learning,their acquisition of folk culture in repeated performances and the resulting sense of folk culture identity;The fifth chapter analyzes the inheritance and development role of female performers in folk culture performance from the aspects of female body's display,dissemination and innovation of folk culture.