Research On The Music Creation Of The Modern Peking Opera Drama "Ode To The Longjiang"

The modern Peking Opera Song of Longjiang is another masterpiece after the five modern Peking Opera works: Taking Weihu Mountain,Seaport,Red Lantern,Shajiabang,and Strangely Attacking White Tiger Troupe in the eight great revolution model operas.Under the theme of "the great creation in thirteen years",which enthusiastically eulogizes workers,peasants and soldiers and praises the socialist revolution and construction,this modern Peking Opera work with "rural theme" as the focus of creation deeply infects and influences generations of people by highly praising the lofty communism spirit of “the overall situation is above self ” and the Longjiang style of “sacrifice individual interests for public benefits”.As one of the representative works in the middle and late period of the revolution model operas,its theme and music are highly compatible on the basis of inheriting the original modern opera music creation and innovation.The singing and music contrast the creation of the characters,and the ingenious conception of the tone and the melody and rhythm,which fully embodies the new ideas,new concepts,new technologies and new methods of modern Peking Opera music creation from the1960 s to the 1970 s.If we evaluate and interpret the creation of Song of Longjiang from the perspective of music,there is no doubt that it has left a deep melodic imprint on the history of Chinese art,drama and music.Therefore,the textual research of its music creation process from the perspective of music history,the analysis from the perspective of music morphology,and the exploration of its artistic value and cultural spirit from the perspective of culture and aesthetics,have academic value,application value and historical significance.