The Fusion And Transformation Of Oriental Imprint And Contemporary Painting

This article is mainly divided into the origin of the work,the creation of the work,the creation of three parts of the discussion.In terms of work origin,mainly elaborated the reason why I will be Chinese traditional sculpture and painting art fusion of reason,on the one hand,Chinese sculpture art and painting art exists convergence,on the other hand,the openness of the Chinese oil painting history to Chinese traditional sculpture artistic conception beauty with me collecting fusion provides a possibility for me.In terms of works creation,I mainly explain how I use the beauty of historical artistic conception of traditional Chinese sculpture to create the oil painting series "Shi Yan".As the history changes,the constancy of the Buddha statue and the extradite of the Eastern culture becomes more and more obvious.Through the dialogue with the eternal nature of the Buddha symbol,I feel relieved.In "Shi Yan A Lion",the lion,even the guardian of the Oriental culture,has a long life behind the lion.In the process of creation,I used various means to try to integrate these two kinds of historical mood into the oil painting.In terms of creative experience,mainly around the creation of summary and creation of two aspects of the outlook.The creation summary mainly states that the ideal of my creation is to use the spirit of Chinese art to create oil painting,and the creation prospect looks into my future creation from two aspects of form and spirit.