Exploration And Research On The Center Of Gravity Of Dunhuang Dance In Teaching

Dunhuang dance,as a dance with distinct style,has developed a school of its own.Through the "three curves" of different directions and multiple melodies,the "S" body rhythm,and the use of breath,it depicts the movement characteristics of "seeking straight in the melodies,moving in the stillness,and seeing and combining in the middle",carrying the aesthetic will of Dunhuang dance culture.The deep factor of the formation mechanism of Dunhuang dance style is the center of gravity of dunhuang dance body--"tenon and mortise structure" mechanical balance center,which contains the wisdom of Eastern philosophy.The "center of gravity" is often ignored in the teaching of Dunhuang dance style,but it plays a vital role in practical application.It is the "foundation" of dunhuang dance style,the "internal cause" of movement development,and the "presentation" of aesthetic style.Based on the body culture of Dunhuang dance,this paper explores the characteristics of body center of gravity of Dunhuang dance by using the concept of "mortise and tenon structural mechanics",and analyzes the cultural core,functional training and aesthetic embodiment of body center of dunhuang dance.Dunhuang dance's aesthetic style,cultural connotation and morphological characteristics determine its particularity.The research on the training of the body center of gravity of Dunhuang dance can not only improve the dancers' comprehensive quality,accurately grasp the style and rhythm of Dunhuang dance,but also promote the improvement and development of dunhuang dance teaching system.