Research On The Image And Theme Of The Ancient Chinese Literature Hibiscus

As a plant with a wide range of distribution,a long cultivation history,a high ornamental value and a wide range of practical uses in my country,Hibiscus has been loved and sought after by people since ancient times.With the historical development and succession and the consciousness of people’s aesthetic consciousness,the cultural connotation of Hibiscus gradually became richer.At the latest in the Tang Dynasty,Hibiscus was generally integrated into the literary field of vision as an important image and theme,and a large number of Hibiscus literary images and the subject works have become an ornamental flower plant with dual attributes of literary image and its writing and cultural functions.This topic focuses on the image and subject matter of Hibiscus in ancient literature,discusses the creation process,image characteristics and aesthetic meaning of Hibiscus image and subject matter,as well as the corresponding literary expressions,and examines its many circulating names,species classifications and cultivation history and distribution.The thesis is mainly divided into the following chapters:Chapter one: Research on the name,type and distribution of Hibiscus.Hibiscus has many names,and its circulation is more complicated.Hibiscus said by "Hibiscus"(" Lotus ")derived from the two flower shape,color are big and colorful,ancient often appear water Lotus and Hibiscus with the word "Hibiscus" to refer to the phenomenon;And "Hibiscus" as the first complete image into the literary horizon,the author observed,about in the early Tang period.According to its external form,habitual environment and its own accumulated aesthetic implication,Hibiscus also has titles such as "Refuse Frost","Manglietia","Wooden" and "Drunkler".There are many kinds of Hibiscus,with a long history of cultivation and a relatively broad distribution range in my country.Chapter Two: The creation process of the image and subject of Hibiscus in Chinese literature.Looking at the overall situation of the existing Hibiscus image and subject literature creation,from the perspective of historical progress,the pre-Tang period was the budding and initial period of Hibiscus image and subject literature,Tang and Song were the periods of development and prosperity,Yuan,Ming and Qing were the period of inheritance and expansion.Chapter three: Hibiscus image characteristics and literary expression.In the bleak autumn when everything is dying,compared to the smaller and single-color autumn flowers-chrysanthemum and osmanthus,Hibiscus has received widespread attention from scholars because of its larger flower shape and colorful flowers.Its color not only has red,yellow and other colors,but also has the beauty of "multiple color" and "discoloration".It is also widely praised for its easy planting in water and frost resistance.Hibiscus has the characteristics of blooming in the morning and evening,turning back and falling,and its flowers,plants,and branches are harmonious and beautiful.Chapter Four: Hibiscus aesthetic meaning and literary expression.Hibiscus has multiple aesthetic connotations and emotional sustenance.First of all,Hibiscus in the cold and arrogant frost in the autumn.It is accompanied by the solemn autumn wind,frost and rain,which is in line with the name of "repelling frost" and because of a kind of "seemingly indisputable." And optimistic response to the environment has a beautiful praise of "Yishuang".Secondly,as a typical "autumn thing",the complex attributes of Hibiscus make literati compare themselves as the "medium" of emotional interweaving of "sorrowful autumn" and "chanting autumn".Finally,because of the secluded and independent growth environment of Hibiscus,which is bright and prominent but often "no one cares",it naturally carries the complex feelings of "loneliness" and "longing" of scholars.Chapter five: A case study of Hibiscus’ s aesthetics.First of all,to examine Xue Tao and the related content of "Xue Tao Note" and Hibiscus will help to fully understand the origin and influence of "Xue Tao Note",and the related application and understanding of "Yong Jian" literature and Hibiscus.Waiting is not without inspiration.Secondly,taking the poem "Hibiscus" in Lu Benzhong as an example,the interpretation of the content of his poems and the poetic theories it reflects will be of great help to re-understanding and investigating the many opinions of Song people on Lu Benzhong and its "living method".Regarding the "Dream of Red Mansions" and "The Controversy of the Image of’ Furong’" has not yet reached a consensus,this section intends to take the text of "Dream of Red Mansions" as the basis,and on the basis of respecting the original work and related themes,the "Furong" imagery in the book is comprehensive sparse evidence and textual research.In summary,I hope that through the inspection of the above aesthetic cases,I have a limited understanding of the importance of this flower plant image in the history of literature.