An Intertextuality Study Of THE CCTV TV Program China In Stories

With the continuous development of TV programs,the form and content are constantly changing."Reproducing classics" has become a new form of program expression,reflecting the dialogue between programs and classic texts.The dialogue between texts is exactly intertextuality.In the "classic reappearance" program,THE program form of CCTV’s China in Stories has a more in-depth dialogue with the classic text,a wider range of angles,a more novel interpretation techniques,and a more prominent core theme.China in Stories is a dialogue with classic literary works before and after the founding of new China,aiming to strengthen national memory,enhance cultural confidence and build national identity.This paper takes the program China in Stories launched by CCTV as the research object,starts from the perspective of intertextuality theory,combines literature analysis method,comparative analysis method and text close reading method to study the intertextuality phenomenon,connotation and effect of the program from shallow to deep.Starting from the dialogue relations in the form of the program,the dialogue relations at the historical and cultural level are discussed,and then the logic of strengthening national memory and constructing national identity in the interaction of the text is studied.China in Stories not only focuses on the form of "reappearance of classics" innovation,but also from the classic text,with intertextuality as the entrance to memory,tries to dig more relevant historical details of the classic text,from a broader historical and cultural dimension to create dialogue of The Times.The specific forms of the same history and culture in different subjects’ psychological levels are different and uncertain due to their different historical orientation and social levels.China in stories takes the memory text shared by the nation,national history and culture,as the dialogue theme,and seeks for commonness in differences.In the benign emotional interaction,the program strengthens the collective memory,establishes the profound national community emotion,constructs the collective common value meaning and constructs the vivid and powerful community aesthetics.The intertextuality of China in Stories reminds us that the construction of national identity should not only build the internal connection between history and the present,but also pay attention to the expression of the discourse of The Times.