| As one of the ethnic minorities living in Guizhou with a large population base,the Buyi people have developed a unique ethnic culture system through historical development and cultural accumulation.As an important part of the folklore and costume of the Buyi people,Buyi embroidery is not only an essential part of their daily life,but also carries their unique values,aesthetic concepts and ethnic emotions,and is an important feature that distinguishes them from other ethnic cultures.Looking at the development and changes of the Buyi embroidery culture,one can not only appreciate their exquisite embroidery skills,simple and natural colour combinations and lively patterns,but also get a glimpse of the Buyi people’s attitude of seeking "truth",their relentless pursuit of harmony between man and nature and their ethnic temperament of tranquillity and far-reaching.It also shows that the Buyi people have actively adapted to environmental changes,actively absorbed the best achievements of other ethnic groups and Han Chinese culture,and continuously promoted the development of their own culture with an open and tolerant attitude.Taking the embroidery of the Buyi group as the research object,using the research perspectives and methods of cultural ecology,cultural anthropology and sociology to analyse the external environment in which the embroidery culture of the Buyi ethnic group is created,as well as to sort out the values and connotations of the embroidery culture,in an attempt to explore the path of orderly inheritance and innovative development of the embroidery culture of the Buyi ethnic group,with the goal of achieving sustainable cultural development against the background of the changing ecological environment.In the first part,the theoretical guidance of cultural ecology is used to analyse the natural and socio-cultural environment in which the Buyi embroidery culture is produced.Explaining the basis for the emergence of the Buyi embroidery culture.In the second part,the results of field surveys,interviews with inheritors and documentary materials are combined to analyse the embroidery techniques of the Buyi people and the cultural connotations and values behind them,so as to gain a deep understanding of the Buyi embroidery culture.In the third section,the value of Buyi embroidery is recognized,and the path of preserving and passing on Buyi embroidery culture is explored with the principles of wholeness,subjectivity and dynamism.It discusses the three aspects of the inheritance subject,the inheritance environment and the protection of the embroidery itself.In the fourth part,it is pointed out that against the background of the changing natural and social ecological environment,the survival and development of the Buyi embroidery culture is being affected and impacted,and the imbalance of the Buyi embroidery culture is becoming more and more serious.This is mainly due to a weak sense of heritage,changes in aesthetic concepts and interests,the impact of industrial production methods and urbanisation,and the intensification of cultural convergence in the context of globalisation.Based on this,proposing a path for the innovative development of contemporary Buyei embroidery culture in three aspects: stimulating innovative consciousness,innovating cultural development methods and developing innovative development models.Finally,the basic conclusion of the thesis is drawn.That is,the Buyi embroidery culture should be understood and grasped in a holistic,dynamic and orderly manner.Recognise the influence of the external environment on the Buyi embroidery culture,as well as the internal structure and elements of the Buyi embroidery cultural system.To grasp the internal and external environment and the interrelationship between the elements of the Buyi embroidery culture as a whole,to find the causes of the imbalance of the Buyi embroidery culture ecology in the context of the current changing cultural ecological environment,and to seek the path for the orderly inheritance and innovative development of the Buyi embroidery culture. |