The film not only carries the revolutionary ideals of the party and the people,but also cultivates the aesthetic consciousness of the whole nation.It is a key link in the development of socialist cultural undertakings with Chinese characteristics.It was the100 th anniversary of the founding of the Communist Party of China,and the party building theme gift films recounting the history of the founding of the party and praising the revolutionary spirit were launched one after another.As a unique type of Chinese films,the evolution of gift films with the theme of building the party not only shows the consciousness of strengthening the red thought and leading the consciousness of family and country in the gift films,but also shows the iterative innovation of aesthetic expression and the evolution of aesthetic patterns.Since 1991,there have been four excellent films on the theme of the founding of the party,from the creation of heaven and earth(1991)to the great cause of the founding of the Party(2011),and then to 1921(2021)and red boat(2021);From the chronological history to meet the political needs,to the diversified expression close to the audience’s aesthetics,and then to the youth writing of the party building spirit.The party building theme gift film has opened up territory all the way and assumed its responsibility in the magnificent image era.This paper tries to use the relevant theories of film aesthetics,narratology and psychoanalysis to explore the exhibition of the party building story,the shaping of characters,the continuation of the party building spirit and the construction of national identity.With a view to finding the spiritual connotation of revolutionary speech through the change and invariance of gift films with the theme of Party building,insight into the repeated renewal of creative ideas.The first chapter will combine the social and cultural context of different times to sort out the development of gift films with the theme of Party building.Firstly,through the analysis of relevant film types,this paper expounds the interoperability and differences between them and the research object,and clarifies the scope of the research object.Secondly,through the deep exploration of the party building theme gift film,we can explore the era motivation of its birth and find the significance of its prosperity today.The second chapter takes the film narrative as the starting point to explore the narrative strategy of the party building theme gift film from three perspectives:narrative image,narrative perspective and narrative structure.In the narrative image,take "objective image" and "spectacle image" as the focus to explore how the film presents a historical face.In the narrative perspective,taking "focus" as the foothold,this paper explores how to look back on the historical situation with "zero focus","internal focus" and "external focus".In the narrative structure,we take "dramatic linear structure" and "Time-space related structure" as the starting point to explore how to build historical stories.The third chapter will analyze the image shaping of the party building theme gift film by combing the multi-dimensional and multi-type character images.Explore how to paint and engrave Communists with both "party spirit" and "human nature",how to shape the female image of "glowing with a sense of value",and how to create various types of villains.Through induction and comparison,this paper clarifies the inheritance and evolution of the same types of characters in the party building theme gift films,in order to have an insight into the new changes of image shaping rhetoric based on the aesthetics of the times.The fourth chapter is the value of the theme of the party building.From the following three aspects: the pursuit of "ideal ego",the traditional context of "family and nation",and the value of the times of "people based thinking",we discuss how to build the theme film from the perspective of identity,simultaneous interpreting with emotion,bridging with cultural identity,and finally,directly identifying the path of identity construction of national identity,in order to build up the spirit of building the party spirit in the new era.Generally speaking,this paper intends to study how the theme film represented by the theme film of the founding of the party develops at present and in the future,and how to balance the national mainstream culture and mass culture through combing the overall style of the theme film of the founding of the party,exploring the narrative strategy,reshaping the character image and extending the value level,It is expected to provide reference for the development path of the main melody film "telling a good Chinese story" and realizing national identity. |