Design Thinking And Language Intervention And Application In Modern Painting Creation

Painting and design are subpromics under the Academic University of Visual Art,and they have been overlapping and impacting between interoperability and mutual effects.With the increasing maturity and diversified development of contemporary art,the connotation and language forms of paintings on contemporary racks are constantly rich and expanded,and one of the ways to expand is through other disciplines and The concept and form of the medium are drawn and fuse.Painting is a very important part of its unique aesthetic properties,and designed to design the sensitive response to the era culture and simple,bright and fashionable examples due to its unique and painting.Features,as an important object of contemporary painting as a concept of reference and language integration,becoming a new phenomenon of contemporary painting.This paper is based on the new trend of trend of design thinking and language in contemporary painting,combined with its own professional practices and experience,and conducts exploration.Some of the exactly emphasizational problems in contemporary paintings have begun to return pure rational creations,pay more attention to the painting of visual elements,and learn from their creation thinking and language.Moreover,contemporary painting has higher requirements for the communication speed and viewing method of graphic information,and can better adapt to the era.The discussion of this paper is from six parts:design thinking and language intervention and application in contemporary painting: First,the first part of the relationship between painting and design,with the art history for the entry point according to the mutual effects of painting and design,Sorting the origin of painting and design;the second part is mainly to introduce the trend and status of design thinking and language in contemporary painting;mainly analyzing domestic and foreign artists,market and art education groups in contemporary paintings This attitude and tendency to design thinking and language;the third part mainly discusses the intervention of design thinking in contemporary painting,from design orientation,composition design,content reconstruction design,process and refinement of production The four aspects come to analyze the discussion;the fourth part mainly discusses the specific use of the design language in contemporary painting,mainly from the restrictions and subjective reconstruction of the painting space,the composition and structure constitutes,the shape of the abstract planarization,color abstraction Analysis of five aspects such as transformation,crafts and refinement;the fifth main analysis analyzes design thinking and language for the professional significance of contemporary painting creation,from enriched the language form of contemporary painting,promoting contemporary Drawing more innovative freedom and possibly,in three aspects of contemporary painting and multicultural interaction,etc.The last part is mainly combined with its own creation history and work,analyzes the impact of design thinking and language on my painting creation.