"Musicality" In Long-Scroll Landscape Painting

There are thousands of hidden lines in the mystery of painting and music that connect with each other,which cannot be said but can be felt.Starting from the relationship between sound and painting,this paper is mainly divided into two parts.The first part is divided into the theory of sound and painting,and the second part takes "Residence in Fuchun Mountain" as proof and explains the uniqueness of this picture.In ancient times,there have been discussions on the delicacy of Huang Gongwang’s painting,and most existing articles discuss what makes this painting wonderful from the perspective of texturing method of brush and ink and the idea of painting environment.However,there are comments on the wonderful music of "Dwelling in Fuchun Mountain",but no in-depth study has been made.Therefore,this paper starts from the perspective of "musicality" and discusses the wonderful features of "Dwelling in Fuchun Mountain" in an interdisciplinary way.This paper discusses the reasons for the beauty of "Dwelling in Fuchun Mountain" respectively from the content and form.The content analysis of the painting is based on the image,and the form analysis is based on the composition of the picture.The paper is divided into two parts.The first part is the definition of the concept and the brief introduction of "Residence in Fuchun Mountain".Since there are many suspicious cases involved in "Residence in Fuchun Mountain",it is necessary to state the position of this paper,define the concept and briefly introduce the historical background of "Residence in Fuchun Mountain".Second,it defines the concept of "synesthesia" and analyzes the rhythm of the heterogeneity and isomorphism of sound and painting.It explores the possibility and path of the intercommunication of sound and painting from the aspects of physiological connection,the same time and space,the intercommunication of images and the analogy of elements,laying a theoretical foundation for examples and analyzing the musicality of "Fuchun Mountain Residence".In China,the construction of the theory of the relationship between sound and painting has been slightly improved in recent years and is still under construction.The theoretical research on the analysis of Chinese painting with the relationship between sound and painting is slightly insufficient compared with the research literature on Western painting.At the same time,the painting theory study of "Living in Fuchun Mountain" is also a little insufficient.Therefore,this paper will discuss such questions as the features of the long scroll,structure,composition,image,space and time in the painting--what is the "musicality" in the painting,and what is the particularity of the picture in the relation between sound and painting? How does the long scroll form of "Living in Fuchun Mountain" produce "musicality" ? What is the relation between sound and picture? This can not only contribute to the theoretical construction of the relationship between sound and painting,but also provide a different perspective for the study of the Residence in Fuchun Mountain.