The Emotional Processing And Stage Performance Analysis Of The Song "Late Marriage"

Popular music has always been a means of emotional expression,and the treatment and grasp of musical emotions in popular music is very elastic.Taking Tan Weiwei’s version of the popular song "Late Marriage" as an example,this paper analyzes the emotional processing and stage performance of the song,assimilating the emotional processing and stage performance of the popular song singing into two parts: "acting" and "singing"."Singing" without "acting" is dull and empty;And out of "singing" talk "performance" is nothing but a fairy tale.Only by combining the emotional processing of the song with the stage performance can an organic singing whole be formed.The song "Late Marriage" was written and composed by Jonathan Lee and first sung by Jiang Hui.Tan Weiwei’s version of the song greatly enriched the audience’s auditory and visual feelings in the first adaptation.The accompaniment of the song is introduced in the form of string band,and the allegro in the middle part of the song is innovative on the basis of the original version to a certain extent,making the song as a whole deep and soft,but also unique.Secondly,Tan Weiwei’s immersive performance on the stage is also a sublimation of the emotional processing of the song.This article from the lyrics,melody direction,orchestration,stage performance and other aspects of the process of singing,not only limited to the "singing" in the processing of emotion,but to project the eyes to the whole "singing",so as to achieve emotional processing and stage performance that is the organic combination of "acting" and "singing",It also further analyzes the relationship between emotional processing and stage performance,which is indispensable and complementary,so that the public will not only stay in the auditory level when appreciating pop music,but pay attention to the overall interpretation of the song.