Analysis Of The Composition Of Weber’s "Bassoon Concerto In F Major" And Its Playing Techniques

Being a representative figure in the early stage of romanticism,Carl Maria von Weber had created a large number of music works,in which the fields of opera,symphony,concerto and so on are involved in his works.In all his works,the opera Freischutz has the most far-reaching influence.Weber’s works created during this period embody the typical features of music in the romantic period,such as strong personalization and abundant imagination.As the only Bassoon Concerto created by Weber,Bassoon Concerto in F Major also embodies a certain representative significance in his music works.In this thesis,the performance of Weber’s Bassoon Concerto in F Major is taken as the research object.Weber’s life introduction and music creation background are taken as the starting points to carry out a detailed research and summary on the musical structure of the three movements of the music,as well as the use of breath,fingering and articulation in the process of performance.Besides,the different performance skills and styles of two contemporary bassoon performers on the work are listed in this thesis.In addition to making people learn the music emotion processing techniques of the performer,the appreciation can also help us have a comprehensive analysis of the music by combining our own understanding of the actual playing of the work.