A Field Study Of Fu Yuehui’s Novels

Fu Yuehui’s novels use imagery,symbols,metaphors,and other ideographic systems to showcase the absurd characteristics and spiritual pain of modern people’s living conditions in a holistic field that encompasses capital,space,power,perception,emotions,and sociality.Starting from the structure and function of the field,the first chapter of this article studies the survival field formed by the residence as the center in Fu Yuehui’s novels,pointing out the "underground" attribute of the residence and its coverage and deformation of the characters,revealing the protagonists’ social position,survival difficulties,spiritual symptoms,and multiple disciplines in the presence.The second chapter tries to understand and explain the wild space and natural landscape in Fu Yuehui’s novels from a broader social and cultural perspective.Analyzed the ecological landscape outlined by Fu Shi’s pen strokes wandering in the sky and earth,under the care of his profound animal complex,hometown consciousness,and animism of all things.The ecological concepts involved do not actually refer to geographical ecology,ecological themes,or the survival status of organisms in nature,but rather contain the composite content of society,civilization,and nature,as well as the cultural conflicts,cultural attitudes,and aesthetic orientations nurtured within them.When facing and thinking about metaphysical issues such as "disease","death",and "life",Fu Yuehui built independent and symbolic geographical centers such as "square","sea death island",and "euthanasia roller coaster" as spatial structures and background resources for the development of ideas.The writing of death has become the core of practice,and philosophical speculation around the topic of death is manifested through various images and metaphors in the overall context.so,The third chapter combines Nietzsche’s philosophy of life and Heidegger’s ontological ideas to study the field of life and death constructed in Fu Yuehui’s novels.It points out that the author directly faces the contingency and tragic nature of life at the scene of death,conveys the view of life on the scale of the universe and the will to never give up,and produces the lofty aesthetics and spiritual power of living towards death.