Exploring On Character Image Building Of "Guglielmo" In The Opera "Così Fan Tutte"

Mozart composed a large number of operas,including "Così Fan Tutte",in which he used music to create a large number of characters."Guglielmo" is one of these dramatic and distinctive characters.Through the lines of the libretto and the melodies of the music,the librettist and the composer have created not only a positive image of "Guglielmo" as a man who is passionate,sincere and faithful to love,but also an ironic,arrogant and irascible image of him.So,as a singer,how can we understand and analyze the literary and musical image of the character "Guglielmo" created by the playwright and the composer,and then use the timbre positioning of the voice,the diction of the lyrics and the mobilization of all other stage elements,taking the aria "Donne mie la fate a tanti" as an example,to The key issues to be discussed in this thesis are the creation of the characterization of "Guglielmo" and its compatibility with the characterization of the text(lyrics and music)written by the playwright and composer.As a result,this thesis explores these issues in the following sections.The first chapter provides an overview of the author’s life,the story,and the plot of the opera "Così Fan Tutte",with the aim of clarifying the origin and role of the character "Guglielmo" in the work,and preparing the ground for the subsequent analysis of the text of the character "Guglielmo"(libretto and music).The second chapter is devoted to the arias and the music.The second chapter takes the aria "Donne mie la fate a tanti" as an example,and analyzes and summarizes the characterization of "Guglielmo" from two dimensions: the use of the playwright’s lines(lyrics)and the use of the composer’s music(style).The third chapter provides a conceptual basis for the subsequent use of the voice and other elements of the stage to shape the voice of "Guglielmo".The third chapter,combined with the singing of the aria "Donne mie la fate a tanti",provides an in-depth analysis of how to shape the voice image of "Guglielmo" on stage from the perspective of the timbre positioning of the voice,the bite of the voice,and the use of stage language(including body language and choreographic language);the purpose is to explore how the singer The aim is to explore how the singer can further enrich the character’s image with voice and stage elements.The purpose of this thesis is to explore how the vocalist can further enrich the character’s characteristics with vocal and stage elements.This thesis will provide a reference and reference for the author and others to further study and interpret the issue of "How to portray opera characters in vocal performance?"...