"Decaying Reform"-the Literary Transformation Of Wang Zengqi’s Drama View

Wang Zengqi’s self-analysis is an "amphibian" of novels and dramas,and also claims to be a "lyrical humanist".In the pursuit of "meaning",he transforms novels and dramas with the vision and ambition of a "stylistician",which must have a conscious sense of stylistic transformation,and the interaction between various forms of text is bound to occur.In the decades of "hustle" in the literary world,he silently managed language,taking the refining of language as the clue to build his literary genealogy,and focusing on folk literature and drama.The literary transformation of drama and the method of decay are both natural parts of this path.He tries to use language to bridge and indent the literary distance between fiction and drama,but overly ignores the theatrical nature of drama.Therefore,the failure of the "decay method" is still due to the problem of stylistic view.Therefore,starting from Wang Zengqi’s theatrical transformation,this thesis attempts to study Wang Zengqi’s theatrical concept from the two directions of literalization of drama form and literalization of drama language.Specifically,there are the following four levels:The first level briefly describes the overview of Wang Zengqi’s theatrical concept and its transformation consciousness.On the one hand,from the formation of Wang Zengqi’s view of drama and the existence of "stylistic ambiguity",this paper discusses the modern transformation consciousness of classical genre.Based on the stylistic transformation and the May Fourth tradition,this paper discusses the modernity transformation of Wang Zengqi’s drama Chinese.On the other hand,Wang Zengqi’s first theatrical work "Fan Jin Zhongju" is taken as an example to demonstrate the aesthetic tendency of his theatrical creation.The second level analyzes the presentation of Wang Zengqi’s theatrical view of literature in terms of theatrical form according to specific texts.Taking the theme and performance effect as the parameters,this paper analyzes Wang Zengqi’s drama works longitudinally and compares them horizontally with the works of dramatists of the same period to discuss the literary interest in Wang Zengqi’s plays.The third level undertakes the "literary center" problem discussed in the previous layer,and deeply exposes the performance of its dramatic literalization in terms of language.The fourth level is Wang Zengqi’s exploration of the theater form in his later years.The first is to explore his theatrical propositions in his later years,and sort out the context of his "decay method" from its emergence to its formation;The second is to explore the reasons for its "law change",and pay attention to the difference between the law change in the later years and the early period;The third is to explore the "failure" of its law change.Finally,it discusses some problems in the dispute between Wang Zengqi and Huaya,stylistic differences and drama reform.