Study On Zhangbei Errentai Art From The Perspective Of Ethnic Exchanges And Integration

Errentai is a traditional drama popular in western Inner Mongolia and northern regions such as Shanxi,Shaanxi and Hebei provinces.It is named Errentai because of its performance form of A clown and a sinian.Because of the different regions and styles,it is divided into two ways: east and west.Donglu Errentai is popular in the Bashang area of Zhangjiakou,Hebei Province and the intersection of Shanxi,Hebei and Mongolia and the surrounding areas.Zhangbei is located at the intersection of the three provinces of Shanxi,Hebei and Mongolia,so it is a branch of Donglu Errentai called Zhangbei Errentai.Errentai to the unique geographical location of Zhangbei,this kind of local opera was formed in the process of Mongolian and Han cultural exchanges,and is deeply loved by local people.Zhangbei Errentai is a local opera that integrates opera,dance and music.It has its own unique artistic characteristics.However,the development of Zhangbei Errentai is not satisfactory,and it is on the verge of being lost.Therefore,this paper mainly explores the art of Zhangbei Errentai from the perspective of Cultural exchanges and blending(hereinafter referred to as "San Jiao"),discusses the development process of Zhangbei Errentai under the "San Jiao",and puts forward constructive suggestions on the future development path of Zhangbei Errentai.The article is divided into four chapters to discuss.The first chapter,from the perspective of the emergence and development of Zhangbei Errentai,explores the historical origin of Zhangbei Errentai due to its unique geographical location and historical event "go west ",the continuous formation of the track in the process of national exchanges,and the branch art of "Gan ker" produced in the process of its own development.The second chapter from the cultural integration of Zhangbei Errentai formed in the process of development of music style and artistic characteristics,explore the integration of Mongolian and Han music culture in the Zhangbei Errentai Qupai,Chenzi,singing and other inherent unique cultural characteristics;The third chapter takes the singing and skills of Donglu Errentai as the breakthrough point,explores the multi-culture contained in the basic singing methods of Errentai,explores the influence of singing skills of Mongolian and Chinese folk songs on singing skills of Zhangbei Errentai,and the understanding of the relationship between singing and Ci.Then,the application of "Tou Qi","Beiguyin" and "singing skills" in the process of vocal music singing is considered.The fourth chapter begins with the development status of Zhangbei Errentai,deeply thinks about the internal and external factors of the status quo of Zhangbei Errentai on the brink of extinction,and summarizes the current development status of Zhangbei Errentai,and finally puts forward personal opinions for the future development path of Zhangbei Errentai from the perspective of "San Jiao" of national culture.The author hopes that by combing and studying the artistic features and singing techniques of Zhangbei Errentai from the perspective of Cultural exchanges and blending,the author can actively explore the benefits of ethnic "San Jiao" in the inheritance and promotion of traditional national culture,as well as its significance in the inheritance and development of Zhangbei Errentai,and provide useful suggestions for the future development of Zhangbei Errentai.At the same time,the "San Jiao" between ethnic cultures can be regarded as a beneficial and tentative road for the continued prosperity and development of endangered traditional ethnic cultures,which is also a contribution to the inheritance and protection of endangered cultures in my hometown.