| Wang Zujie and Zhang Zhuoya are famous contemporary composers in China.They have been deeply engaged in music creation for many years,covering a wide range of topics and high quality.“My Heart Will Always Love--Wang Zujie and Zhang Zhuoya’s Vocal Music Works Selection”This book selects 50 of the most representative works of two musical masters,divided into four chapters: Motherland,military,history and drama.The concert songs of the author in the middle period of master’s degree were all selected from the four chapters in this book.Inspired by the teacher’s instruction and guidance in accordance with their aptitude,the author actively combined with his own conditions and abilities to strictly select and repeatedly consider the works of the two masters,and finally determined nine works as concert songs.This paper mainly focuses on the "classification and artistic achievement","artistic characteristics and singing analysis",and "personal concert practice perception" of the vocal music works of Wang Zujie and Zhang Zhuoya.Among them,the innovation of this paper lies in the combination of my own experience in concert practice,focusing on the study of "Sentient love","Touching the Earth and Loving the mother","Broken Bridge--Xiaoqing’s Song","My Heart Forever Love" four works,deeply understand the music creation style characteristics and singing requirements of Wang Zujie and Zhang Zhuoya.Further perceives the beauty of music creation and singing art,thus greatly improves the author’s own music aesthetic consciousness,vocal music singing ability and music culture accomplishment.Combined with the practical experience of concert performance,the author tries to integrate the artistic characteristics and singing analysis of their works from the perspective of professional theory,to dig into the successful experience of Wang Zujie and Zhang Zhuoya’s vocal music works in realizing the common appreciation of the masses and inheriting national culture while taking into account the international perspective,so as to provide reference and reference significance for the development of Chinese vocal music at present. |