| As a national photo album,documentary not only records the current social state,but also preserves human culture and civilization.Humanities documentary is a TV work with cultural characteristics,which focuses the lens on the state of life of various groups of people in the current society,expresses individuality and commonality through the emotional dynamics and lifestyles of the characters in the film,and emphasizes humanistic values.As an important branch of Chinese documentary,Inner Mongolian humanities documentary has gone through nearly 40 years of development,which shows the border scenery and ethnic customs,is connected with the times,regions and ethnic bloodlines,and enriches and promotes the development pace and image space of Chinese literary documentaries with strong regional characteristics and strong ethnic customs.Based on the previous research,starting from the field of video narration,this study comprehensively uses the case study method and text analysis method to comprehensively and systematically analyze the narrative concept and storytelling skills of humanistic documentaries of Inner Mongolia Radio and Television(Mongolian themes)in the new century,explore the narrative value of documentaries,and summarize their cultural representations.This article consists of four chapters and five parts.Firstly,in the introduction part,the research background and research object,research purpose and significance,literature review,research methods,etc.of the paper are discussed respectively.The first chapter focuses on the storytelling concept of humanistic documentaries of Inner Mongolia Radio and Television Station(Mongolian theme)in the new century,and analyzes the content of humanities documentaries on this theme by documentary topic selection and story-based expression.The second chapter focuses on in-depth research on storytelling techniques.By converting the narration and the simultaneous voice into text,it is analyzed from the narrative structure,narrative perspective and narrative rhythm,and combined with documentary examples to argue;Chapter 3 mainly explores the image narrative techniques of humanities documentaries on this theme,consisting of two parts: lens language and sound language,and combined with documentary examples.Chapter 4 analyzes the cultural representation of humanistic documentaries on this topic and excavates the deeper meaning behind documentaries.In the new century,the humanities documentary of Inner Mongolia Radio and Television Station(Mongolian theme)can not only present the real production life and folk customs of the people,but also build the presentation of ethnic culture in a unique regional environment.Therefore,the purpose of this study is to further enrich the narrative research of documentary films in Inner Mongolia through in-depth interpretation of documentary connotations,so that the documentary industry in Inner Mongolia can be better developed in terms of theoretical height and content depth in the future.Moreover,Mongolian traditional culture can be better protected and inherited in the process of the new era. |
