Research On The Artistic Features And Performance Treatment Of Henan Traditional Zheng Music Chopping Jade

The guzheng,an ancient musical instrument with a sense of time,appeared as early as the Spring and Autumn Period and the Warring States Period.With the development of The Times,all aspects of the guzheng are constantly changing.At the same time,the composition techniques and performance techniques of guzheng have been constantly innovated.Henan Zheng school belongs to a branch of the nine schools of guzheng,which not only has its unique music style,but also has a pivotal position in the school of Guzheng.Guzi tune,also known as Nanyang major tune,major tune belongs to the pai Zi tune category of quyi music,which plays an important role in henan Zheng school."Splitting the Jade" is a long-lost henan traditional zheng song excavated by Professor Zhang Changgong of the College of Literature of Henan University in the war years.Guzi music is divided into north and South schools,and "Splitting the Jade" belongs to the South school of Guzi music.According to Zhang Changgong in his Book Guzi Quyan,"The most difficult thing is to split jade.The horse head is the minister and the rest are the common people." It is not difficult to see that "Splitting the Jade" belongs to a very representative nanyang Major tune.This article is divided into three chapters to henan traditional zheng music split broken jade systematic writing: the first chapter of henan traditional zheng music "splitting broken jade" the importance of the source of transmission spectrum and mass spectrum,always search for the splitting broken jade king man zhang longbow and spread spectrum province we in turn to carry on the profile,the second of the splitting broken jade current development present situation and future development strategy;The second chapter focuses on the artistic characteristics of henan traditional zheng song "Splitting the Jade" and the artistic characteristics of jinghu and Zhongruan playing version of "splitting the Jade" in detail,and makes a comparative study with henan traditional Zheng song version "splitting the Jade";The third chapter combines the accumulation and learning of henan zheng music works,combines theory with practice,and writes about the playing techniques of Henan traditional zheng music and its application in Henan traditional zheng music "Splitting the Jade",and describes the author’s second creation of "splitting the Jade".