On The Comparative Study Of "Sun God" And "Wine God" Embodied In The Creative Spirit Of Modern Dance

Nietzsche revolted against tradition in "The Birth of Tragedy",and at the same time clearly restored its legitimacy to the spirit of the original existence of life consciousness,which aimed to use the ancient Greek primitive gods Apollo and Dionysus.The spiritual will of the artist understands life from the perspective of art,and thinks about art from the perspective of life.This essay from Friedrich Nietzsche[Friedrich Wilhelm Nietzsche(October 15,1844-August 25,1900),philosopher,philologist,cultural critic,poet,composer,thinker.His main works include The Will to Power,The Birth of Tragedy,and Philosophy in the Age of Greek Tragedy.]The tragic philosophical thought formed by the oppositional unity of the "Apollo-style"(Apollo)and "Dionysus"(Dionysus-style)"Bacchus",to explore and study the spirit of modern dance creation rationally,to liberate the traditional artistic thought trapped in the inherent cage,to develop the philosophical thinking of dance art workers,and to examine the artistic philosophical spirit of modern dance creation from the perspective of different aesthetic forms.And the relationship between these ideological forms and Nietzsche’s "Sun God" and "Bacchus" philosophical thoughts.During the period from the development of modern dance to modern times in 1900,collected and sorted out from the theory and dance practice of modern dance creation.The creative spirit of modern dance related to "Spirit of the Sun-Spirit of Dionysus",mastering the research viewpoints and theories that have been consulted,explored and compared,and constructing the theoretical vacancy of the creative spirit of modern dance.This article is devoted to Nietzsche and dance.On the basis of pioneering academic research,it integrates the relevant knowledge of scientific rationality in sociology,psychology,historical philosophy and aesthetics,and uses literature collection,comparative research,self-experience sorting,citation,and case analysis.Etc.,combining these methods to sort out and explain the text of the article.In the first chapter,the research background and significance of this topic,and the research status at home and abroad are integrated.From the research status,the research direction of the paper is in There is still a gap in this field,so this research is targeted and the existing research significance in this field can be better captured.In the second chapter,Nietzsche’s concept of "Helios-Bacchus" spirit and Nietzsche’s understanding of this field are discussed.Make an in-depth analysis of the philosophical connotation implied in the dualistic spirit,and make sufficient basic reserves for the main content of the study;In the third chapter,this dualistic spirit and other art categories are studied and deconstructed horizontally,and it is analyzed whether the dualistic spirit elements used in these art categories have the same impact on dance art,and then It also conducts vertical connection and deconstruction in dance research,and conducts a macro analysis of the relationship between the two;and then in the fourth chapter,it focuses on the "Helios spirit" and "Dionysus spirit"in modern dance creation."The interconnected and contradictory polarities between the two are decomposed one by one,and compared with several famous foreign modern dancers,such as:Roy Fuller,Ruth St.Denis,Isadora Duncan,Martha.Graeme,Doris Humphrey,Pina Bausch,and other domestic modern dance choreographers,such as:Shen Wei,Tao Ye,will compare and analyze their dance thoughts,aesthetic tendencies and creative characteristics,and explore their modern dance.Whether Nietzsche’s Apollonian and Dionysian spiritual oppositions are used in the works,and their views and purposes are expressed in their works;finally,in the content of the fifth chapter,Nietzsche’s views on art are discussed.The sublimation of his philosophical thinking is related to the theoretical construction of the "triple personality structure" in Freud’s psychoanalysis,and analyzes whether this"triple personality structure" has connotations related to the expression of Nietzsche’s "dual spirit consciousness".,this connection with other well-established theoretical studies reinforces the important role of the choreographer’s ideology in the creative spirit of modern dance.Nietzsche’s concept of dualistic spirit is partly inspired by the romantic era and postmodern dancers,and it is very important for modern dance.The development of dance has played a role in fueling the flames,not only accelerating the construction of theoretical research on modern dance creation,but also providing philosophical and aesthetic thinking for the appreciation of modern dance works,broadening the audience’s viewing point and increasing the audience’s real and in-depth experience.The project draws on and integrates domestic and foreign researches on "Bacchus Spirit" and "Sun God Spirit" in dance creation,and takes the theoretical development of dance creation as a starting point,aiming to reconstruct,compare and explore the historical participants and the developing A new attempt at self-understanding by modern dance creators.