| As one of the important types of Li Shangyin’s poems,it is an important basis for exploring li shangyin’s social situation,life experience and thoughts and emotions.The text consists of five chapters:The first chapter discusses the origin and new changes of li shangyin’s poems.This chapter further clarifies the concept of complimentary poems,thinking that complimentary poems are poems for the friendship of poets.The origin of complimentary poems was closely related to the tradition of complimentary poems,complimentary ballads and farewell poems in the Book of Songs in the pre-Qin period.The complimentary poems began to appear in the Han and Wei dynasties and matured in the Jian ’an Period.Compared with the previous generation,Li shangyin’s poems presented a new characteristic,that is,the content of his poems involved a great deal of love and amorous love,and the form of his poems created such as parody and allegory.The second chapter probes into the creation style of complimentary poems.The first is the gift of poems,in addition to the "gift","send","answer" and "and",there are also "Feng","lost" and other obscure poems and lost poems.With Han Zhan and Ling Hu,there are the most number of poems.Among the passed down poems,only poems with Wen Tingjun and Li Ying are presented to each other,and a majority of the objects are difficult to verify.The third is the type of gift,the poet’s gift poems mainly include "visit ye quote","comfort and encouragement","poetry and art exchange" and "with wine entertainment" four categories.The third chapter analyzes the artistic charm of complimentary poems.Li shangyin’s poems presented different artistic styles,such as simple,deep and elegant,according to different objects,contents and themes.There are various styles of complimentary poems,which are dominated by seven-word quatrains and seven-word rhymes,and coexist with five-word rhymes,five-word rhymes,minor rhymes,five-word quatrains and other rhymes.The allusions in the poem not only come from the official history and the story of the characters in the literary works,but also absorb the barnyard yard official history,myth and legend,and the living and unusual events in the folk customs,covering many contents of Confucianism,Taoism,Buddhism and other three streams.Chapter four analyzes the poetry of parody and allegory.Li shangyin’s poems can be divided into three forms: giving answers for people,giving gifts in poems and giving gifts to god in poems.The gifts for people are mainly the gifts for geisha,concubines and historical figures.The poems generally use the technique of "imitating objects" to compare Geisha and Concubines to wilts,lotus,cherries and fruits in nature.They are called gifts and are actually gifts to people.In the poem,he hopes to meet his dead wife and keep his youth forever through the purported power of god.This chapter also selects a group of poems "Wei Palace Private Gift" and "Wu Order of Dai Yuan City secret Answer" from the poems of parody and fable.Combined with the poet’s own notes,it is considered that this poem has no too much support,but only laments the pain of women’s sentient while men’s unintentional.The fifth chapter discusses the late Tang Fanzhen Shogunate and Li Shangyin’s poem creation.Fan Zhen Shogunate provided rich treatment and gathering place for poets,which created conditions for the creation of complimentary poems.The shogunate’s poems can be divided into three periods.In the early stage,the shogunate’s life and marriage and love are the main contents of the poems.The poems generally have real emotions and little atmosphere of social intercourse.In the middle of the poem style began to change,emotional weak entertainment work gradually occupy the mainstream.Hampered by the party struggle between niu and Li and his family,the verbal and psychological contradictions in the poem became increasingly prominent,and began to have a strong tendency of settling down and removing,homesick and missing relatives.Later,due to the influence of wang’s death,illness,wandering abroad and other factors,the tragic color of lamenting the old and thinking of returning in the poems is more and more intense. |