Research On Huang Binhong’s View Of Painting In "Art Series"

"Art Series" is the first large-scale painting literature work in the 20 th century.Its significance lies in the pioneering work of modern painting literature.When the trend of Western learning came to the east,and when the academic world was resisting the old system,it was still Adhere to the traditional way,discover its own intrinsic value in sorting out and preserving the national heritage,and promote the Chinese painting study on the road of revitalization in the stage of modernization of academic thought and discipline system.This article will study the painting literature and writings of "Art Series" as a whole,as well as Huang Binhong’s view of painting.The four chapters of the full text are based on the history,theory and criticism of Huang Binhong’s painting research as the core.Combined with relevant documents and historical data,we seek for the relationship between them,try to strip the cocoon and draw the thread,and clarify Huang Binhong’s distinctive and unique view of painting.Groundbreaking achievement.The first part of the article first explains the compilation background and compilation characteristics of "Art Series".In the late Qing Dynasty and the early Republic of China,when Western learning became popular in the East,Huang Binhong,a painter and historian,discussed with his friends to compile the "Art Series",in order to collect classical documents to preserve Chinese learning.At the same time,the editors introduced the foreign concept of "art",broke the previous method of document classification and cataloging,and re-integrated the literature on Chinese painting theory.Secondly,by examining the principles of identifying and selecting historical documents in the "Art Series",it explores Huang Binhong’s scientific and objective historical view of painting history through textual research and historical analysis.Then,it organizes and analyzes the painting theories of the past dynasties included in the "Art Series".Through its tendency to select painting theories,it explores Huang Binhong’s dialectical conception of painting theory that "Tai Chi is the secret of painting and calligraphy" and the creative technique concept of Jin and Shi.Thirdly,combined with the general characteristics of the genre of painting literature and the tendency to select literature of painting theory in the "Art Series",this paper explores Huang Binhong’s comments on the talent and style of painters and the style of Hua Zi.Finally,the concluding remarks summarize the above research,clarify the value and existing problems of the compilation of the "Art Series" from the aspects of scholarship,selection,collation,etc.,and illustrate Huang Binhong’s contribution and influence in the research of modern painting from the academic perspective of comparison and comment.In a word,by tracing the research path of modern painting studies,Huang Binhong established the method of compiling the painting literature "Fine Art Series" and a fairly clear and definite point of view in the history of painting studies,painting theory and evaluation,which not only clarified the modern discipline The rationality of the model of "history,theory and criticism" provides a reference for the system construction of modern painting disciplines,and also injects new vitality and vitality into the theory of art with Chinese characteristics.