Musical Expression Of The Erhu Piece "Taohuawu" In Performance Practic

For the same music work,different performers will show different deductive effects,which can be embodied in the interpretation of performance techniques,the grasp of music style,the selection of performance forms and so on.The erhu music "Taohuawu" belongs to the erhu works of Jiangnan style.In terms of creation,it has western creative techniques,combined with the characteristics of Chinese traditional music elements,which gives the performer a large space for secondary creation.Therefore,based on the creative techniques and music forms of "Taohuawu",combined with the music elements of Suzhou Pingtan and the performance style of Jiangnan erhu,the author analyzes this music and forms the research.In the second chapter,the author takes three video performance versions of Taohuawu: the performance video of Lu Yiwen at the Closing Ceremony Concert of the second Shanghai Erhu art week,the replay video of Taohuawu of Song Fei’s erhu solo concert of Song Fei’s "heartstrings chasing dreams",and the performance of Zhong Xiaotian as examples to make a comparative analysis of the performances of the three performers.The author selects two aspects: the interpretation of the performance techniques of Jiangnan style and the body language and expression.Firstly,the author analyzes the processing differences of the performance techniques of the two local performers.Secondly,the author analyzes the processing characteristics of the performance techniques of Mr.Song Fei,who plays in the north of the performance style.Taking the North-South performance characteristics and the personal style differences of the performers as the starting point,and taking the diversified expression of Jiangnan erhu style in Taohuawu as the foothold,Comparative analysis of various performance practices.In the third chapter,based on the above research,the author summarizes his personal experience in the performance of Taohuawu,summarizes the technical requirements of Taohuawu from the technical level,and puts forward practice suggestions from the perspective of piano accompaniment cooperation.