Ready-made Image-Research On Misappropriation In Contemporary Ceramic Art

As the most core art strategy in ready-made art,"appropriation" has spontaneously been applied and expressed in various forms in contemporary ceramic works.However,in ceramic art,ready-made products are not directly "borrowed" like ready-made art itself.Due to the technological characteristics of ceramics,there are many differences in the intervention methods of ready-made products in ceramic works compared to the former.Contemporary ceramic art urgently needs a more localized ready-made art theory and practical framework to better guide its creation.This localized improvement is what the author describes as ready-made objects.Therefore,based on the perspective of contemporary art context,this article takes ready-made object misappropriation works in various related forms such as ready-made art,conceptual art,and installation art as reference,draws on relevant art philosophy theories,and analyzes the characteristics and stylistic commonalities of outstanding domestic and foreign artists’ ready-made object ceramic works,attempting to gain a glimpse of the overview of ready-made objects in contemporary ceramic art and the cultural phenomena behind them.Finally,based on the evolution of the ecology of ready-made object pottery in contemporary art and life,reflect on its related impact on contemporary pottery,and to some extent fill the research gap on the appropriation of ready-made objects in contemporary pottery.