| Since its birth,TV series have been accepted and loved by the masses with their unique communication characteristics,and have a variety of subject types and complex dramatic tensions,and it is this unique charm of TV series that makes it a way for people to talk and pastime after tea.And historical TV series,as a type of TV series,by restoring the historical structure,reproducing the historical style to tell those popular historical stories in the long river of time,Zhang Li directed the historical TV series,everywhere reflects his awe for history and culture and the sense of distress for the country and the nation,whether it is from the splendid palace courtyard to the physical space construction of ordinary people’s homes,or the attention to the social space in the changing times,Or the rich psychological space portrayal of the characters in the play reflects the distinct spatial consciousness and spatial narrative ideas in Zhang Li’s historical drama works,explaining the grandeur and grandeur of history.This paper takes five historical TV series directed by Zhang Li as research texts,and uses spatial narration,film aesthetics,semiotics and other related theories to study and explore the historical TV series directed by Zhang Li.This paper first summarizes the theory of spatial narratology and the creative process of director Zhang Li,so as to lay a theoretical foundation for the overall writing.Secondly,the spatial narrative structure in director Zhang Li’s historical TV series is sorted out,mainly divided into interwoven contrast and dreamy polyphonic structure,and the growth and inner changes of characters under different structures are studied;The third is to analyze the spatial narrative skills of Zhang Li’s historical TV series,mainly through the three aspects of lens,color and sound combined with the examples of the work,to study how Zhang Li uses these skills to enrich the tension of spatial narrative;Finally,the spatial narrative function of Zhang Li’s historical TV series is analyzed,and the plot is promoted to shape characters through space,and the metaphorical function is used to increase the narrative connotation.Through the above four aspects combined with textual examples,it strives to enrich the research results in the field of spatial narrative,and also provides new research directions for the research of Zhang Li’s directorial works. |