| China has a long history of ceramics,and ancient ceramics are deeply favored by the world.The colorful and colorful glazed ceramics embody the wisdom of ancient Chinese ceramic craftsmen.Embodying the artistic essence of excavation and fire,the long historical years have accumulated in a variety of colors.Whether it is the Tang Dynasty Yue kiln porcelain that "opens in the autumn breeze and captures the green color of thousands of peaks," or the Song Dynasty blue and white glazed porcelain that "after the rain,the sky clears,the clouds break,and this color makes the future," or the Ming and Qing Dynasty colored porcelain that "artisans come from all directions,and the shape of the ware moves around the world," different times have created different forms of expression and artistic characteristics.With the development of the times,the use of color glaze has become increasingly widespread.The color glaze porcelain of the Ming and Qing dynasties has provided valuable knowledge and experience for the development and research of contemporary cultural and art industry practice.This article systematically analyzes and discusses the incomplete texture of flower glaze and the knowledge related to ceramic painting,that is,studying and investigating the incomplete texture of kiln changed flower glaze and kiln changed flower glaze.Secondly,it is to study the artistic and technological beauty of incomplete texture applied in ceramic painting.It discusses the particularity of incomplete texture in ceramic painting from three aspects: fluidity,variability,and accessibility.Color glaze is distinguished from other artistic expressions due to its unique material,and the color and texture beauty of flower glaze is different from other artistic expressions.Then analyze and summarize the paintability and decoration of incomplete texture in ceramic painting,and conduct research based on representative works of individual artists.The research mainly focuses on the combination of texture characteristics of kiln transformed flower glaze and other comprehensive materials to study the technological beauty in ceramic art.At the same time,the expression forms and artistic characteristics of the incomplete texture in the flower glaze are analyzed and summarized.Finally,the author expounds his personal understanding of the texture through ceramic painting practice,and continuously summarizes and summarizes it in the process of artistic practice.The application of flower glaze in ceramic painting fully demonstrates the natural beauty of color glaze,reflects the elegant aesthetic taste of traditional Chinese color glaze,and greatly expands the ceramic art space. |